1) western music theories
西洋乐理
1.
Transition and modulation in Chinese traditional music theories differ from modulation in western music theories.
中国传统乐学理论中的"旋宫转调"不同于"西洋乐理"中的"转调"。
2) countries basic music theory
西洋基本乐理
1.
This text focuses on the textbooks of west countries basic music theory, selecting the ones which are most representatively and powerfully to be analyzed and studied to reveal the development process and features of it in China.
本文以西洋基本乐理教材为着眼点,选取各历史阶段中最有代表性和影响力的乐理教材进行分析研究,以深入揭示西洋基本音乐理论在我国的发展进程及其特点,以史鉴今,为当代乐理教材的发展与完善提供参考与借鉴作用。
3) Western music
西洋音乐
1.
By introducing and reflecting on Eppstein s monograph The Beginnings of Western Music in Meiji Era Japan this review article intends to draw attention to such questions as:What was the Japanese experience with Western music? What did the Chinese learn from the Japanese? And in what way did.
本文旨在评述艾泼斯坦(UryEppstein)的《明治时期西洋音乐在日本之发轫》,但希望通过这一专著的介绍引起国内学者对日本引进西洋音乐所走过的历程有所注重。
4) western instrument
西洋乐器
1.
Timbre features of western instrument under multiplication model
乘法模型下西洋乐器音色特征
5) western music culture
西洋音乐文化
6) foreign music
洋乐
1.
The Japanese music has two classes:the national music and the foreign music.
日本音乐有邦乐和洋乐两大类,人们在欣赏西方古典音乐的同时也会从雅乐中深切地体味日本传统音乐的乐趣。
补充资料：乐理
1.音乐的道理﹑法则。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条