1) freehand brushwork from yancai
岩彩写意画
1.
The article which beginning from congnizing relation of yancai brushwork and chinese painting, analyze the feasi bility of combining of yancai brushwork and spirit of freehand brushwork,and bring forward the conception of"freehand brushwork from yancai"which fusing the two essentials of freehand brushwork spirit and skill recombination.
文章从认识岩彩画与中国绘画的承继关系入手,分析了岩彩画和写意精神结合的可能性并提出融会写意精神和技法重组这两大要素的"岩彩写意画"概念。
2) abstract colored ink painting
写意重彩画
1.
Coloring in abstract colored ink painting and with the western scientific analysis of color for reference carries on the essence of Chinese traditional ink painting and creates a totally different effect on visual image.
本文从色彩的对比,情感色彩,色墨结合等几个方面阐述了写意重彩画中的色彩理性与个性问题。
3) On Freehand Brushwork of Watercolor Painting
论水彩画的写意性
4) Unearth The Freehand Brushwork's Beauty From Yancai
发掘岩彩的写意美
5) Enjoyable Oil Painting
写意油画
6) Xieyihua
写意画
1.
The thesis focuses on Xieyihua with a clear definition and a background information, the basis of which is the Chinese philosophy( Confucianism, Taoism, Buddhism in general).
本文对写意画概念的叙述中，交待了写意画的背景。
补充资料：白釉画三彩
白釉画三彩 瓷器素三彩的一种。见于清代康熙时期。先以胶墨笔道在白釉上勾出图案轮廓，然后四周填以色釉为地。白地者，花卉填以黄、绿、紫三色；绿地者，花卉填以黄、紫二色，间露白地；紫地者，花卉填以黄、绿二色，间露白地。常见器物以官窑三彩碗居多。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条