Through analysis of the text of Sandalwood Penalty, this paper explores the aesthetic essence of liking ugliness in her novels and the real contents of folk stories.

The Chinese Ancient Ci-poetry Criticism on "Mei" in Ci-poetry;

The Chinese Ancient Poetry Criticism on "mei" in Poetry;

"mei" is one of the most important aesthetic category in the aesthetic visual field of Chinese painting,it not only represents the aesthetic purport and aesthetic character of painters,but also reflects the transition of stylistic norms in painting and tendency of the day that art pursues.

On transformation of esthetic interest of popular entertainment——Interest of popular entertainment in ugliness;

From “beauty” to “ugliness”:Change of Jia Pingwa′s Aesthetic Perspective——Taking “Gao Laozhuang” as an example;

A Comparison on Ugliness between Chinese and Western Aesthetica Culture;

A Tentative Study on the Ugly and Beauty of Jesus Christ

Under the alienation of actuality, ugly with its most true appearance aligns from edge to center.

In the "Preface to Cramwall", Hugo put forward a writing principle of contrast between the beautiful and the ugly, between the noble and the negligible.

Based on the explanation of the relationship between calligraphy and Tao by Fu Shan in the Ming and Qing Dynasty, this paper has thoroughly interpreted and analyzed his aesthetic concept of “the ugly” and the advocating of the study of tablets.

At the latter part of the middle Tang dynasty, HAN Yu carried on and developed earlier stage scholars consciousness of appreciation of the ugly, used the experience of forefathers for reference, fitted in with the calling of the times, altered the former aesthetic standards, opened up the state of appreciation of the ugly in poetry creation.

Based on the previous study, this paper will expound the eternal charm of the novel by analyzing the aesthetic perspective shifting from the ugly to the beautiful as symbolized by the .