1) "White Horse"
《白马篇》
1.
New Quest for the Archetype of “White Horse” by Cao Zhi;
曹植《白马篇》的原型蠡测
2) long monotogue
长篇独白
1.
To fully reveal one s subjective cohsciousness ,the German Expressionism invotves long monotogue, which enables the character to express directly his ideas and feelings,and often accompanied with masks and dreaming scenes to reflect his internal world.
为了充分外现人的主观意识,德国表现主义戏剧广泛运用长篇独白,使人物直接宣讲他的思想和感情,并且还常常采用假面和梦景来反映人物内心世界。
3) pages and pages of wrongly written characters
白字连篇
5) "A white horse is not equal to horse"
白马非马
1.
In view of the misunderstanding on the rhythm of Martial Art form, the rhythm of Martial Art form is expounded from the angles of logic and philosophy on the basis of Gong Shun-long s proposition "A white horse is not equal to horse".
针对许多人对武术套路节奏认识的单一化、片面化,笔者以公孙龙的"白马非马"命题出发,从形式逻辑角度和哲学角度对此展开阐述,以使人们能够更加全面地理解武术套路的节奏问题,正确理解和认识节奏在武术运动中的重要性。
6) Maximus Poems
《马克西姆斯诗篇》
1.
Lyric Epic: Charles Olson s Maximus Poems;
抒情史诗:查尔斯·奥尔森的《马克西姆斯诗篇》
补充资料:独白
独白 monologue 戏剧术语。角色在舞台上独自说出的台词,从古典悲剧发展而来,在文艺复兴时期的戏剧中使用十分广泛。它是把人物的内心感情和思想直接倾诉给观众的一种艺术手段,往往用于人物内心活动最剧烈最复杂的场面。 |
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条