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1)  Chaozhou Music
潮乐
1.
Survival and Development of Chaozhou Music During the Cultural Transition Era;
文化转型期潮乐的生存与发展
2)  entertainment-oriented TV programs
娱乐浪潮
1.
Since 1999,entertainment-oriented TV programs began to influence their News Columns,alluring them to the direction of amusement,popularity,and public service for the reason of the emphasis of receptors.
从1999年开始,电视节目的娱乐浪潮向新闻节目渗透,使电视新闻呈现出娱乐化、平民化、服务化三大特征,这些特征及变化是新闻传播学中受众本位思想被重视的结果。
3)  music thought
音乐思潮
4)  Chaozhou music
潮州音乐
1.
Chaozhou music is the treasure of our folk music heritage,For one thing,it holds the characteristic and style of Chinese classical music;for another,it is the music with full local color.
潮州音乐保留着我国古典音乐的特点与风格,同时又富有浓郁的地方色彩,是我国民族音乐遗产中的珍宝。
5)  music current
音乐潮流
6)  Chaozhou Zheng music
潮州筝乐
1.
As a famous genre in the art of the Chinese Zheng, the Chaozhou Zheng music has its obvious aesthetic characteristics in music content, technique representation, performance feature and also has a broad and deep mass foundation.
作为中国古筝艺术中的一个著名流派,潮州筝乐在音乐内容、技法表现、演奏特点上有着鲜明的美学特征,同时又有着广泛而深远的群众基础。
2.
Meanwhile, the Chinese Zheng music, Liuqingniang, is one of traditional repertoires with the most variations among the Chaozhou Zheng music.
筝曲《柳青娘》则是“潮州筝乐”中主要的也是变体最多的传统曲目之一。
补充资料:迎潮送潮辞·送潮
【诗文】:
潮西来兮又东下,日染中流兮红洒洒。汀葭苍兮屿蓼枯,
风骚牢兮愁烟孤。大几望兮微将晦翳,睨瀛溶兮敛然而退。
爱长波兮数数,一幅巾兮无缨可濯。帆生尘兮楫有衣,
怅潮之还兮吾犹未归。



【注释】:



【出处】:
全唐诗:卷621-22
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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