1) the Traditional Chinese Meticulous Brush Painting of Beautiful Women
中国传统工笔仕女画
1.
Comparisons and Contrasts between the Traditional Chinese Meticulous Brush Painting of Beautiful Women and the Japanese Ukiyo-e Painting of Beautiful Women;
中国传统工笔仕女画与日本浮世绘美人画之比较
4) traditional Chinese paintings of beautiful women
中国仕女画
1.
An Eternal Theme——A comparison between the traditional Chinese paintings of beautiful women and the Western paintings of naked female;
主题与变奏——中国仕女画与西方女性裸体画的比较
5) the painting with fine brushwork of beautiful women in Tang Dynasty
唐代工笔仕女画
6) Tang-Dynasty fine brushwork painting of beauties
大唐工笔仕女画
1.
In my opinion: Modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting.
我觉得:现代工笔仕女绘画艺术必须是扎根于大唐工笔仕女画文化的这个土壤,大唐工笔仕女画是我们工笔绘画的文脉所在。
补充资料：北宋仕女雕版
北宋仕女雕版 藏中国历史博物馆。传系北宋巨鹿城址出土。长59.1厘米、宽15.3厘米，长方形，枣木，质坚实，有火烧痕。上雕一面容端雅的女像，身穿宽大对襟长衣，双手交叉合掌上仰。衣上有变形团龙纹饰，中间系一花结，右侧有对称细长飘带两条，头戴花朵形饰物，圆颊丰颐，具有唐代风格和特征，与新疆土鲁番出土的唐纸本“树下美人图”、甘肃敦煌发现的“引路菩萨像”，甚有相似之处。刀法纯熟，线条遒劲有力。它和宋金平阳版画“隋朝窈窕呈倾国之芳容”四美图相比，有不少相似之处，但其人物形象更为简练古朴，因出土在北宋巨鹿城址中，故初步定它是北宋时的雕版原件。从它的长度和宽度看，应是当时的年画雕版，也是已发现的最早的年画雕版之一。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条