1) subjectivist aesthetics
主观论美学
1.
Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" bridges his artistic ontology and hermeneutical ontology on a universal level.
伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论,是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
2) the aesthetic view of subjective theory
主体论美学观
3) pro-objectivity aesthetics
客观论美学
1.
However, at the beginning of the new century when reviewing his pro-objectivity aesthetics, we will find it more evident that his aesthetics arguments, from the objective point of view, have unavoidably.
然而 ,当我们站在新世纪的门口来重新审视其客观论美学话语时 ,便明显地感觉到 ,因为他过分地热衷于套用马克思主义的唯物论和认识论来演绎美学观点 ,所以不可避免地导致了对于审美主体的挤兑 ,客观上造成了“关系”的失落。
4) On the Subjective Forms of Aesthetics
论审美主观形式
5) reappearance aesthtics outlook
再现主义美学观
补充资料：信息论心理美学
信息论心理美学
aesthetics of information theory
信息论亡理美学(a e sohetiC、。f informati‘)ntheory)参见“认知心理美学”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条