1)  poetry about abandoned wives
弃妇诗
1.
The researches into poetry about abandoned wives in the Qin and Han Dynasties by later generations, always trying to interpret with the modern views, fell to dig deep into the feelings of the characters and the social background of the poetry.
后代学者研究秦汉诗歌中的弃妇诗,往往用流行的观点去进行阐释,由于没有深入地了解诗中人物深层的内心世界及诗歌产生的社会背景,所得出的观点往往只能说明事物表象。
2)  the poem "Deserted Wife
《弃妇》诗
3)  Deserted wife
弃妇
1.
Although Chinese and Western literature lacked substantial engagement and exchange in the past,both of them portrayed the character of "deserted wife".
中西方文学在过去虽然缺乏实际的接触和交流,但都有对弃妇形象的刻画和表现,而且这些弃妇形象呈现出一定的"共相",形成这种共相的根源则是中西方社会存在着的文化共通性。
4)  abandoned women
弃妇
1.
In the long history of Chinese culture,only the men had the power to abandon his wife with the reasonable or unreasonable excuses,whereas the women had no freedom to divorce;abandoned women were the historical witness of masculine culture.
弃妇是男权中心文化的历史见证。
2.
SU Tong creates a few images of abandoned women in h is master piece Qi Qie Cheng Qun: YU Ru who is obedient,yet treat ed coldly by Chen Zuoqian, ZHUO Yun who uses up all her tricks to find favour wi th her husband, MEI Shan who dares to defy her husband and SONG Lian who gives u p her dignity for winning Chen Zuoqian’s love back.
苏童在《妻妾成群》中为我们塑造了一群弃妇形象。
5)  deserted women
弃妇
1.
Until now, there are a lot of descriptions about the deserted women.
弃妇是中国文学中一个源远流长的母题,从古到今,在文学传承的历史长河中一直没有间断对弃妇形象的塑造。
6)  abandoned wife
弃妇形象
1.
The differences of Chinese and Western aesthetics are cleared presented in the portrayal of abandoned wife.
透过中西文学弃妇形象的刻画,能较为分明地感受到中西文学在审美认识上的差异性,这些差异表现在对女性审美认识、对悲剧审美认识以及对艺术风格的美学认识几个方面。
参考词条
补充资料:弃妇诗
【诗文】:
石榴植前庭。
绿叶摇缥青。
丹华灼烈烈。
璀彩有光荣。
光荣晔流离。
可以戏淑灵。
有鸟飞来集。
拊翼以悲鸣。
悲鸣夫何为。
丹华实不成。
拊心长叹息。
无子当归宁。
有子月经天。
无子若流星。
天月相终始。
流星没无精。
栖迟失所宜。
下与瓦石幷。
忧怀从中来。
叹息通鸡鸣。
反侧不能寐。
逍遥于前庭。
踟蹰还入房。
肃肃帷幕声。
搴帷更摄带。
抚节弹鸣筝。
慷慨有余音。
要妙悲且清。
收泪长叹息。
何以负神灵。
招摇待霜露。
何必春夏成。
晚获为良实。
愿君且安宁。



【注释】:



【出处】:
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