1) Ten Plays
《笠翁十种曲》
1.
Li Yu displayed his strong pursuit for secular taste in Ten Plays, which we can learn from the gist, characterization and language of Ten Plays.
李渔的《笠翁十种曲》从创作主旨、人物塑造和戏曲语言三方面表现出对世俗情趣的强烈追求,但其俗不同于当时民间上演的低劣粗俗的剧作。
2.
He was mostly famous for his drama and Ten Plays was his excellent representative work.
然而李渔在当时最主要地还是以曲家名世的，《笠翁十种曲》是现在可以肯定的他的戏曲作品。
2) Li Liweng Qu hua
《李笠翁曲话》
1.
Li Liweng Qu hua, Li Yu s summary of the drama creation and performance experience in his whole life, has represented the highest achievement in China s ancient drama theory, which has had the profound influence to the later generation.
《李笠翁曲话》是李渔一生戏曲创作和演出经验的总结,代表了我国古代戏曲理论的最高成就,对后世产生了深远的影响。
4) 60 Melody
六十种曲
1.
Remarks on the South Opera and The Notes and Commentary of 60 Melody;
从“南戏”说到《六十种曲评注》
6) love plays in sixty opera
《六十种曲》爱情剧
补充资料：《笠翁十种曲》
见李渔。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条