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1)  pure intent object
纯粹意向性对象
1.
Ingarden brings forward that literature works is a "pure intent object" when he reviews the existing manner of literature works,while Dufrenne regards the taste object as a "pure aesthesia object".
茵加登在考察文学作品的存在方式时,明确提出文学作品是一个"纯粹意向性对象",杜夫海纳则把审美对象看作是一个"纯粹知觉对象"。
2)  purely intentional objects
纯意向性对象
3)  pure arbitrariness
纯粹任意性
1.
The principle of pure arbitrariness is not only the question that a signified integrates with a signifier.
潜在的所指与能指是否预先现成地存在着,这使得任意性原则可分为“前设任意性原则”和“纯粹任意性原则”。
4)  pure aesthesia object
纯粹知觉对象
1.
Ingarden brings forward that literature works is a "pure intent object" when he reviews the existing manner of literature works,while Dufrenne regards the taste object as a "pure aesthesia object".
茵加登在考察文学作品的存在方式时,明确提出文学作品是一个"纯粹意向性对象",杜夫海纳则把审美对象看作是一个"纯粹知觉对象"。
5)  intention of the object
意向性对象
6)  Pure consciousness
纯粹意识
1.
It is considered that the poet described in “Er-shih-ssu shih-p in” experiences the process of reflection close to “abstention from judgment” and “transcendental reduction” of phenomenology, transcends the operation of “pure consciousness”, then achieves an aesthetic mind, which is planted in the serene personality.
认为《二十四诗品》所描述的诗人经由近似于“现象学悬搁”与“先验还原”的反思道路之后,超越“纯粹意识”的操作性,获取以虚静人性为根柢的审美心胸;当这种纯净的意识统摄其意向对象时,诗人超越“先验构造”的异质性,当下洞见对象的本质,全然成立其审美创造。
2.
Marx dissolvs the pure consciousness as well as the self\|consciousne.
可以说 ,正是马克思把意识主体归结为由劳动的异化决定的意识的异化 ,通过揭示意识的感性本质和社会本质消解了近代的纯粹意识和自我意识 ,实现了哲学范式的现代转
补充资料:性对象


性对象
sex object

  性学名。指对那些发出性的诱 惑力的人物。
  
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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