The article,taking the banner gown as a starting point,tries to reflect the general process and basic causes of the transition from unitary costume culture to multiple costume culture and discuss the national character,pan-nationalization and the international trend special to Chinese banner gowns.

Inheritance and development of Nuchen Nationality′s clothing culture from Jin Dynasty;

Discussion on influence of Oriental traditional dress culture on costume design;

Research on contrast of dress culture between Renaissance period and the Tang Dynasty;

Discussion about Minority Nationality Dress culture in Sichuan Province;

Analysis of symbolization characteristics in the spread of fashion culture;

From the point of view of semeiology and mass-communication, this paper analyzed the symbolization characteristics of public communication of fashion culture as well as the causation and course.

Based on the analysis of the emergence and development of Chinese fashion culture,the author expounds that with the development of modern industry and commerce and the acceptance of modern western way of life,the modern fashion culture is promoted in diversity during the early period of China\' s reform and opening.

It can be said that Chinese dressing culture is unified with the concept of conformity and great harmony so that more emphasis goes to group consciousness rather than the individual effect.

Due to the penetration of outside culture and the extensive use of modern textile,the dressing culture of the Hong Yao group is confronted with variation and assimilation.

The conflict and blend of women costume culture in Fujian area;

Research on the Web Media Guiding of Costume Culture;

We not only are affected by their charming ,but also appreciate that the nourishing of costume culture should be enrooted in a surrounding of union ,open ,improvement ,confidence .