1)  "rule without model"
“无法之法”
1.
Seeking"artistic conception(Yi)",seeking"rule without model" and seeking innovation were Su Shi s calligraphic aesthetics.
苏轼书法审美追求“适意”与“无法之法”,追求创新,并把深层“意”推向高峰,强调了书法的文化本位。
2)  poem state
无法之法
1.
Only in this way can we discover the cause of his poem state.
本文试从李白诗歌的接受史探讨李白"无法之法"诗学的实际内涵及美学特质,解析这种诗学境界的产生缘由。
3)  Wu
无
4)  nothing
无
1.
Being or Nothing: A Comparative Research on the Thought of Hegel s "Being" and "Nothing";
有无之辨：对黑格尔“有无”思想的比较研究
5)  nothingness
无
1.
Nothingness" ——the philosophy s dimension of freedom ——On the ancient Chinese philosopher Laozi s thought of "nothingness;
无——自由的哲学之维——老子“无”的思想研究
2.
On "Existence-Nothingness" Ontology and the Development of Taoist Philosophy in Jin-Tang Dynasties;
浅论“有无”本体论在晋唐道教义理上的发展
3.
The dialectic bewteen "nothingness"and "being" impenetrates Hegel s and Heidegger s philosophy through their thinking about problem of being.
在对存在的思考中,黑格尔哲学和海德格尔哲学中都贯穿了“无”与“在”的辩证,只是思考的路径不同,导致了对“无”与“在”的不同理解。
6)  "Wu"
无
1.
Zhuangzi thought that"Wu"is the fountain head of"Dao","Nihility"is the quality of"Dao".
庄子认为"无"是"道"之本源,"虚"是"道"之禀性,"无"与"虚"蕴藏着勃勃生机。
2.
This thesis holds that there re misunderstandings about the relation between Lzo Tzu s concept of "Tao" and his concepts of "yu" and "wu" and that this needs clarification.
本文认为,人们对老子的“道”及其“有”“无”三概念之间的关系迄今还存在误解,有进一步澄清的必要。
3.
He based his discussion of music on "He" (harmony), explained "He" with "Wu" (letting things take their own course), and extended the content of "He" as the traditional music ontology with the spirit of " Wu".
他以“和”论乐，同时又以“无”释和，用玄学的“无”的精神来进一步扩充传统的音乐本体“和”的内涵。
参考词条
补充资料：得一切法如无法想
【得一切法如无法想】
　　得一切法如无法想者，谓如来知一切法，本性空寂，若言有法而可证得，则为虚妄。故虽有所证，而无能证之想，于法融通自在无碍也。经云：若是有者，可名为得；实无所有，云何名得。以自在故，非得而得。是也。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。