The brother-sister-get-married pattern flood mythology has always been taking as the evidence of consanguineous marriage, which is a misinterpretation.

In recent years, the researchers of marriage history, following Molgans evolutionary pattern of the marriage and family, claim that the forms of marriage must have experienced the stages of confused marriage and consanguineous marriage in China.

As a sign invented by the ancient matriarchy to guard against an act of blood marriage,the tattoo of the Li ethnic group holds more profound ethical reasons than assumed to be.

The Chinese characters with the radical-女well reflect different kinds of marriage status of Chinese women in ancient times such as the primitive group marriage,kinship marriage;trade marriage and polygamy as well as their life and positions.

By an analysis of Zhejiang theatrical circle before the entrance of Kunju opera,the paper reveals the consanguinity and ties by blood between kunju opera and Zhejiang theatrical circle.

In traditional China, the society is an ethic society of the isomorphic of family and state on the base of consanguinity patriarchal clan system.

:According to the texts of "Pangeng" in Shangshu,this article thinks that the social stratum was on the basis of the consanguinity of the people, and the freeman in Shang dynasty consisted three estates: king, min and zhong.

Seeking their kinship,many Taiwan compatriots have their ancestral homes in Fujian;talking of their economic bond,Fujian and Taiwan people strive together to exert supplementary functions in economic development;regarding their cultural connection,Fujian and Taiwan share the same profound culture.

Because of the special nature of "Asian productive mode," the ancient Chinese people, while moving toward civilized society, had preserved well the kinship passed down from the clan society.