1) the noumenon of literature
文学本体性
1.
The critical texts as Shen s respected self experiences of literary works and preserved the noumenon of literature,which revealed that writer criticis.
在1930年代多以阶级的意识形态评判创作者的作家论写作氛围里,沈从文立足于文学本位的批评立场撰写的、试图让批评回到文学自身的作家论,以把握作品风格与作家人格的感悟印象式的批评文本,不仅在一定程度上弥补了主流批评相对忽视文学独立性的缺憾,而且批评者尊重自我文学感受和维护文学本体性的批评文本,在表现批评主体独具特色的批评个性的同时,亦体现出在1930年代的特殊时空语境中,注重文学审美特性的作家批评的可能性。
2) literary ontology
文学本体
1.
The literary ontology, which is composed of multi-layered literary essences, various literary functions and varied literary categories, is of great applied value in literary practice as well as of much guidance in literary activi.
由杨春时、俞兆平、黄鸣奋三位学者合著的《文学概论》在“新时期”众多的文学理论教材中独标一格,其最富于创造性的是对《文学概论》要讨论的对象——文学的本体,进行了多层建构,打破了长期以来对文学本质的单一的解释,使文学本体呈现为立体构成,“文学”的形象因而由模糊变得清晰。
5) ontological conceptions in literature
文学本体观
1.
The renewal of ontological conceptions in literature leads to the changes of literary currents,and further to those of creative principles and methods as well as of subject matters,literary forms,styles and critical criteria,so as to bring the transformation of literary theories and currents to completion.
文学本体观念的更新导致文学思潮的演变,进而影响创作原则、创作方法乃至题材、体制、风格以及批评理论的演变,从而完成文学理论范畴的系统转换,并最终影响文学创作时代风尚的变迁。
6) literature ontology
文学本体论
1.
It was in early 1980 s when the problem of literature ontology began to enter Chinese literature theory research work.
"文学本体论"问题在20世纪80年代初进入中国文学理论研究中来,并很快成为研究的热点。
补充资料：连续性与非连续性(见间断性与不间断性)
连续性与非连续性(见间断性与不间断性)
continuity and discontinuity
11an父ux泊g四f“山。麻以角g、.连续性与非连续性(c。nt，n琳t:nuity一)_见间断性与不间断性。and diseo红ti-
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条