1) the literary text anamorphosis
文学文本变体
1.
According to Martin Heidegger s ontology theory,this paper formulates the literary text anamorphosis,then indicates a literary text is fissive being.
开启文学文本存在之思,需要澄明文学文本变体。
2) literary ontology
文学本体
1.
The literary ontology, which is composed of multi-layered literary essences, various literary functions and varied literary categories, is of great applied value in literary practice as well as of much guidance in literary activi.
由杨春时、俞兆平、黄鸣奋三位学者合著的《文学概论》在“新时期”众多的文学理论教材中独标一格,其最富于创造性的是对《文学概论》要讨论的对象——文学的本体,进行了多层建构,打破了长期以来对文学本质的单一的解释,使文学本体呈现为立体构成,“文学”的形象因而由模糊变得清晰。
4) textualist stylistics
文本主义文体学
1.
In order to improve this situation,this paper,based upon Richard Bradford s classification of textualist and contextualist stylistics,proposes to go beyond their divorce and approach a convergency of them.
本文针对这种情况,根据R ichard B rad ford对文本主义文体学与语境主义文体学的划分与界定,提出超越二者间的分离走向结合是促进文体学健康发展的一种途径。
5) ontological conceptions in literature
文学本体观
1.
The renewal of ontological conceptions in literature leads to the changes of literary currents,and further to those of creative principles and methods as well as of subject matters,literary forms,styles and critical criteria,so as to bring the transformation of literary theories and currents to completion.
文学本体观念的更新导致文学思潮的演变,进而影响创作原则、创作方法乃至题材、体制、风格以及批评理论的演变,从而完成文学理论范畴的系统转换,并最终影响文学创作时代风尚的变迁。
6) literature ontology
文学本体论
1.
It was in early 1980 s when the problem of literature ontology began to enter Chinese literature theory research work.
"文学本体论"问题在20世纪80年代初进入中国文学理论研究中来,并很快成为研究的热点。
补充资料：文学文本
文学文本是供读者阅读的包含完整意义的实际语言形态，是文学这种语言艺术品的基本存在方式。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条