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1)  objectivism [英][əb'dʒektəvizəm]  [美][əb'dʒɛktəvɪzəm]
客观说
1.
There are two kinds of theory in civil-law countries, for example, objectivism, subjectivism.
犯罪未遂是一个争议很久的问题,在大陆法系国家有主观说与客观说之争。
2.
We should keep the rationality of formulation while interpreting the criminal law,we should adopt subjectivism more than objectivism.
刑法解释的立场应不同于民法解释,刑法解释中形式合理性更具意义,应采主观说为主、客观说为辅。
2)  the theory of objectiveness
客观说
1.
There are mainly three arguments regarding to the aim of the criminal law interpretation in the criminal academic circles: the theory of subjectiveness,the theory of objectiveness and that of eclect.
学界在解释目标的确立上历来存在主观说、客观说和折衷说的论争。
2.
All the goals explained by the theories in the interpretations to criminal law,such as the theory of subjectiveness,the theory of objectiveness and the theory of eclecticism have their defects which impair the function of criminal law to safeguard human rights.
刑法解释论上的主观说、客观说和折衷说所确立的刑法解释目标都有不利于刑法人权保障功能实现的缺陷,因而刑法解释的目标应确立为寻求刑法立法时刑法规定的客观意思,即立法本意;只有立法本意不符合保障人权要求时,才允许扩大或缩小立法本意的范围,作出有利于行为人的解释。
3.
According to the respective nature, characteristics and the status quo of ruling by law, the goal of legislative interpretation shall choose "the theory of objectiveness" and the goal of judicial interpretation shall choose "the theory of compromise" so that the law can serve the needs of the society better.
依照各自的性质、特点及法治现状,我国刑法司法解释应采取以主观解释为主、客观解释为辅的折衷说,而刑法立法解释目标应当采取客观说,以最大限度地满足现实对法律的期盼的目标。
3)  objective danger theory
客观危险说
1.
There are the modified objective danger theory and the abstract danger theory in determining the danger of impossibility in our criminal law theory.
在我国,不能犯的危险性判断理论存在着修正的客观危险说与抽象危险说之争。
4)  objective social theory
客观社会说
5)  the Objective Truth Doctrine
客观真实说
1.
The eventual reconciliation between the Legal Truth Doctrine and the Objective Truth Doctrine demonstrates that the two elements actually coexist and complement rather than conflict with each other.
客观真实说与法律真实说由论争到折中的转变,证明两者实质上是一回事,可以融合生长,实现优势互补。
6)  the theory of objective results
客观结果说
补充资料:客观说

在“文学四要素”中,客观说把作品抬到高于一切重于一切的地步,认为作品一旦从作家的笔下诞生之后,就获得了完全客观的性质,它既与原作家不相干,也与读者无涉,它从外界的参照物中孤立出来,本身是一个自足体,出现了所谓的“客观化走向”。

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