1) personal voice
个人型声音
1.
Kingston tries every hard to identify herself and other women of her ethnic group through empowering female s voice,by constructing three modes of voices: authorial voice,personal voice and communal voice,Kingston exposes Chinese-American women who suffer from gender oppression and racial discrimination as the result of lost of subjectivity.
通过作者型声音、个人型声音和集体型声音(以单言、轮言和共言的形式)的建构,汤亭亭力图揭示生活在两种文化夹缝中女性的生存状态,并希望通过自己的写作,发挥其沟通两种文化背景下和谐共融的桥梁作用。
2) woman's individual narrated voice
女性个人叙述声音
3) individualized voice
个性化声音
4) Human tone
人声音调
5) voice formation
声音造型
6) harmonic figure
和声音型
1.
This paper aims to summarize the artistic features of piano departments in the vocal divertimento of Poet’s Love by making a deep research about its piano departments in two aspects of the ways of how to deal with its melodies of the piano departments and vocal melodies,and its harmonic figures,combined with its vocal melodies and song contents.
基于《诗人之恋》的钢琴声部研究,分析其钢琴声部旋律与声乐旋律的处理方式、和声音型,挖掘声乐旋律以及歌曲内容,阐述舒曼声乐套曲《诗人之恋》钢琴声部写作的艺术特色。
补充资料：《电影的画面与声音》
中国电影理论著作。陈西禾著。中国电影出版社1982年出版。全书分"人是中心"、"景物的价值"、"让光影和构图说话"、"富有表现力的色彩"、"创造性地运用声音" 5部分，以大量中外影片的实例，阐述了电影中人、景、光影、构图色彩的表现以及声音的运用等电影语言各种元素的特性和功能，分析了它们的相互关系，探讨了如何运用这些元素的艺术技巧问题。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条