1) calligraphy in the Jin Dynasty
晋法
1.
In his comment,the author believed that the research on the calligraphy collection and appreciation should be conducted in the frame of the calligraphy in the Jin Dynasty,with The Orchid Pavilion Foreword written by Wang Xi-zhi as the masterpiece.
“题跋”认为在收藏和品评书法的研究中,应建立在王羲之书法的《兰亭序》为主要代表的晋法框架之内。
2) Legalists in Tri-jin
三晋法家
1.
Kuan-tzu,the representative of Legalists in Qi Country,Shang Yang and Han Fei,the representative of Legalists in Tri-jin brought forward social conformity thoughts whose aim was enriching country and strengthening army to rebuild social order.
先秦时期,中国社会处于急剧变化的转型时期,整个社会陷入了严重失范状态,以《管子》为代表的齐法家和以商鞅、韩非为代表的三晋法家,就如何重建社会秩序提出了以富国强兵为目标的社会整合思想。
3) Jin dynasty calligraphy
晋朝书法
4) calligraphy in the Wei Dynasty and the Jin Dynasty
魏晋书法
1.
The calligraphy in the Wei Dynasty and the Jin Dynasty was characterized by righteousness,simplicity, and elegancy,which complied with the aesthetic value of the upper class then as described by Shi Shuo Xin Yu.
魏晋书法的率真、简淡、妍美等风格,与《世说新语》所展示当时名士求真、尚简与爱妍的趣尚互为表里。
6) ancient technique of WeiJin's Calligraphy
魏晋古法
补充资料：晋察冀野战军(见晋察冀军区)
晋察冀野战军(见晋察冀军区)
Shanxi-Chahar-Hebei Field Army
Jin一Cha一11 Yezhanlun晋察冀野战军(shanxs一ehahar一HebeiField Army)见晋察冀军区。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条