From the perspective of the structuralist literary criticism,this paper thoroughly analyzes the "anti-drama" artistic writing feature in the text of Waiting for Godot in terms of anti-plot,anti-character,anti-language,anti-time,anti-place and anti-tragicomedy,expounds the social psychological reality,the influence of modern .

This paper analyses the characterization of Liu Bang in the ironic view: how the author employs skillfully verbal irony, situational irony and dramatic irony to depict an image of Liu Bang against the one in official history.

This artistic skill of dramatic irony plays an important role in developing the dramatic plot,and deepening the theme.

This paper intends to make an application of Austin s Speech Act Theory and Searle s Indirect Act Theory to the interpretation of dramatic irony in Hamlet,which is one of the basic features of the play.

Plot Recomposing and Image Reshaping——On the Function of the Theatrical Cultural Conversion in the Process of revising a Novel into a Drama;

Relationship between dramas and movies from the classic movie theory;

The Influence of the Fictitious existence in Drama to the Movie and Animation;

On the Characteristic and Influence of Russian Play Design;

The development of Zhaojun s image in the history of play and its enlightenment;

Developing Guilin tourism program of acrobatics and opera;

The rapid development of movies and television networks as new media has made powerful impact on world dramas,particularly the traditional Chinese operas.

Animal totems take the main position in early exorcism ceremony,along with the evolvement of this ceremony,the Nuo ceremony transform to Nuo opera.