1) Performace method
演奏法
2) performance technique
演奏技法
1.
The paper summarized some features of Chaozhou zheng music with notation,modes,variation,banshi(tempo in Chinese folk music),temperament,and performance technique,as well as the representative player Xu Shoucheng and his individual characteristic.
文章从潮州筝曲的记谱、调式、变奏、板式、音律、演奏技法等方面对潮州筝曲的特征,以及潮州筝派代表人物之一的许守诚先生个性特点予以概述。
2.
From the point of guzheng performance technique, the paper recorded and narrated the general situation of guzheng playing skill in ancient time and its transform during the progress of developing.
文章以古筝的演奏技法为切入点,以其发展过程中的流变为脉络,记述古筝在初创时期(战国时期)和繁荣时期(唐代)的演奏技法概况,辨析近代形成的古筝各流派演奏技法的文化内涵和技术特点,阐述当前古筝演奏技术训练中存在的不同观念以及个人的见解。
3) playing method
演奏方法
1.
, has a different playing method.
本文从装饰音现象的历史演进、巴洛克时期装饰音的发展、装饰音的记谱法以及巴赫装饰音在具体音乐作品中的演奏方法等几方面初步探讨巴赫键盘作品中装饰音的演奏方法。
5) playing techniques
演奏技法
1.
This paper will review the three stages of the development of the playing techniques of dulcimer and the composition of works, probe into the patterns of the development of techniques and the composition of works at each stage respectively, demonstrating the achievement and accomplishments of this art since 1949.
建国以来扬琴艺术得到高度发展,从三个时期对建国以来扬琴演奏技法及创作的发展进行历史梳理,探讨扬琴在各个时期演奏技法及创作方面的规律性的东西,从而看出建国以来扬琴发展所取得的成就。
2.
In the following sections, his piano works are further explored by analyzing the works of "Second Piano Sonata" and comparing the playing techniques.
本文共分为四大部分,首先介绍了肖斯塔科维奇的成长,学习、生活以及他创作思想背景的形成、风格特征、音乐特征,接下来又探讨了他的钢琴创作,从而通过他的《第二钢琴奏鸣曲》的作品分析和演奏技法上的比较,透彻地熟悉他的钢琴作品。
6) performing skill
演奏技法
1.
This paper starts the point from two aspects, that is, music language and performing skills.
本文主要对德彪西《钢琴练习曲》第一集的音乐语言及演奏技法这两个方面进行了研究。
补充资料：三彩骑马演奏俑
三彩骑马演奏俑
三彩制品烧成温度低，对窑炉技术要求也不高，所以造假仿制者甚众。其实偶得真品也不必就视为稀世珍宝。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。