Quiet but With the Result that Far——the performance and comprehension of Beethoven s piano sonata,op.110;

The Manufacture of the Yi clan Suo Na and Give musical Performance the Procedure and Compete the Shallow Theory of Rules;

The Analysis of Beethoven s Piano Concerto No.4 in G Major Performance;

Some Hints on Playing TWO PARTS INVENTIONS;

On teaching and playing of “Xiyangxiaogu”;

Estampes of Debussy and a Study of Its Playing;

In accordion s playing, most people have taken note of the pure skills on the hand-type, touch keys and finger method, but they are not concern about those obscure problems seriously affected the expression of the music.

To accomplish the high-level artistic state , is still depend on the player s aesthetic.

Violin performing is a complicated work which is combined with highly-concentrated mental and physical powers.

In order to grasp this kind of technique,performers have to have some conscious trainings in accordance with the position of fingers,wrist skills,the practice of the octave,the fluctuated notes,the ornament,the legato,the staccato and the flexibility,uniformity,speed of fingers,etc.

On the unity of feeling and reason in piano playing;

Concentration comes from Consciousness——on mental adjustment in piano playing;

The strength,flexibility,vilocity of the fingers and the protean piano fingering are the base of piano playing,hence,fingering training is extremely emphasized in piano teaching.