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1)  Yuankan Zaju
元刊杂剧
2)  Thirty kinds of Zaju inscribed in Yuan-Dynasty
元刊杂剧三十种
1.
Because the circulated works of Zaju were mostly inscribed in Ming-Dynasty and they were modified, and “Thirty kinds of Zaju inscribed in Yuan-Dynasty”is the only one inscribed in Yuan-Dynasty at present, the research on “Thirty kinds of Zaju inscribed in Yuan-Dynasty”makes us know better about the real situation of spoken language in Yuan-Dynasty.
元曲是一种口语文学,是元代口语的一种真实的反映,但是由于流传下来的元代作品大多是明刊本,很多经过后人的修改,而《元刊杂剧三十种》是目前发现的唯一的元刻本杂剧,所以通过对《元刊杂剧三十种》的研究,我们可以更好地了解元代语音的实际状况。
3)  Xinjiao Yuankan Zaju Sanshi Zhong
新校元刊杂剧三十种
1.
This paper is based on the materials which extracted from Xinjiao Yuankan Zaju Sanshi Zhong and Jindai Hanyu Yufa Ziliao Huibian(Yuan&Ming Dynasties),the purpose of the research is to completely describe and analyze the pronouns included in these two books by the comparison of developments thread and contemparary thread.
本文以《新校元刊杂剧三十种》和《近代汉语语法资料汇编》(元代明代卷)所辑文献作为基础研究对象,在定量统计的基础之上,通过历时与共时的比较,对其中的代词进行了穷尽性描写和分析,以展示元明时期汉语代词系统的基本面貌,探索其发展演变的规律。
4)  tragedy of Yuan Zaju
元杂剧悲剧
5)  zaju of the Yuan Dynasty
元杂剧
1.
On the Poetic Characteristics of Zaju of the Yuan Dynasty;
略论元杂剧文体的诗化特征
2.
Taking relative theory in Aristotle s Poetics as a reference,the paper probes into recognition and reversal in zaju of the Yuan dynasty from the perspective of comparative study.
"发现"与"突转"乃源自西方戏剧美学理论范畴的两个重要术语,本文拟以亚里士多德《诗学》的相关理论为参照,以元杂剧为具体考察对象,尝试从比较研究的视角切入,探究元杂剧中的"发现"与"突转"问题。
6)  Yuan drama
元杂剧
1.
A Research Design for the Folklore Study in Yuan Drama;
元杂剧中的民俗文化研究论要
2.
The Artistic Value and Cultural Details of This Special Group of Ghost Images in Yuan Drama;
试论元杂剧中鬼魂形象的艺术价值和文化意蕴
3.
The structure pattern of the patriotic works of Yuan drama;
元杂剧爱国主义作品的结构模式
补充资料:喜迁莺 乙亥元日 以上四部来刊缩印元刊小字
【诗文】:
春风满面。是胸中春意,与春相见。不醉陶然,无人也笑,况是一年清宴。宁儿挽须学语,爨妇举杯重劝。道惟愿。贫常圆聚,老常康健。□□□□□,二十七年,世事经千变。今是昨非,春风花柳,消尽冰霜残怨。门外晓寒犹浅。门上垂帘休卷。灯花软。酒香浓趁歌声,试轻轻咽。庵词、四印齐本樵庵词、疆村本樵庵乐府校补


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