1) downtoners
低调词
1.
This paper argues that the internal causes of the phenomenon is that the downtoners,with their special usages,are capable of merging the above three figures of speech,with only understatement performing the same functions,whereby the ambiguity and misunderstanding are avoided.
Litotes(反叙)与Meiosis(弱陈)由Understatement(低调陈述)逐渐取代,在学界已渐成为共识,但我们认为其内在的原因是downtoners(低调词)的特殊性可将litotes(反叙)与meiosis(弱陈)打通或融合,使仅采用一个understatement来统领litotes(反叙)与meiosis(弱陈),以避免歧义和误解成为可能,因为understatement(低调陈述),litotes(反叙),以及meiosis(弱陈)三者均有一个通用的原则,即"含糊或弱化的表述可获得强调的效果"。
2) melody
[英]['melədi] [美]['mɛlədɪ]
词调
1.
the melody,Yu Jia Ao,is a characteristic tune.
《渔家傲》是两宋词坛上出现较早而且颇有特色的一个小令词调,出现了不少以创作此调而著称的词人,留下了许多名篇佳作。
2.
The melody of "Huan Xi Sha" is in Ci-poet s good graces during Tang and Song Dynasty, which is most frequently uses among over 1100 melodies and becomes the "first of melody of Tang and Song Dynasty".
《浣溪沙》一调在唐宋时代备受词人青睐,使用频率最高,成为当之无愧的“唐宋词调之冠”。
3) tonal patterns
词调
1.
According to figures, the subject constitute of different Ci tonal patterns and different writers is very much like.
统计表明,不同词调、不同词家在对具体咏物题材的选择性或曰适应性上,都表现出惊人的相似性,按从多到少的顺序排列,依次为植物、气象、饮食、天象、动物等。
2.
Su Shi and Zhou Bangyan learnt much from Liu Yong s new styles of Ci-poetry when they composed somewhat long Ci-poetry in the form of new tonal patterns.
本文论述柳永词词调仄声字三声中的去上、上去和去声字的用法 ,而重点在去上。
5) low-key
[英]['ləʊ'ki:] [美]['lo'ki]
低调
1.
The important issues of China team preparing for competition in the Olympics games, such as choking, the phenomenon of non-depletion of numbers in the armed forces and saying fine-sounding things or keeping low-key, are studied.
本文对我国备战与征战奥运会过程中值得关注的 3个问题 :优秀运动员重大比赛关键时刻失常、参加重大比赛的非战斗性减员与备战重大比赛是保持低调还是唱高调进行了探讨。
6) low-yield tunes and woks
低产词牌
补充资料：低调
1.低声调。 2.喻指悲观﹑消极的论调。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条