1) painter painting
画工画
1.
In the developmental history of Chinese traditional painting,the process of evolvement from"painter painting"to"bookman painting"is an important one.
中国传统绘画的发展史,由"画工画"向"文人画"演变是一个重要的过程。
2) painter
[英]['peɪntə(r)] [美]['pentɚ]
画工
1.
The thesis sums up the use of five kinds of copybooks and theirorigins, in the expectation of drawing attention to the working models of ancient painters.
在宣化辽墓第3、6、7、10号墓壁画中,出现内容、画面构图、人物姿态及图像安排上几乎同出一辙的现象,本文通过细致地比对,归纳出五种活用粉本的方式及产生的原因,以此引发人们对古代画工工作模式的关注。
3) Chinese Painting
画
1.
Chinese calligraphy and Chinese paintings have a long history.
中国书法和绘画有着历史的渊源 ,并在发展中 ,互相融合、互相促进、互相补充 ,使二者在诗、书、画、印的结合方面、工具方面、视觉方面、笔法等方面有相通之处。
4) painting
[英]['peɪntɪŋ] [美]['pentɪŋ]
画
1.
The Integration of Ancient Chinese Poetry and Painting;
中国古代诗与画的结合之路——绘画之诗性获得过程
2.
In the long history of painting in China,the relationship between poem and painting used to be referred as the relationship between the context of poem and painting,which is also united to reflect the Chinese art thoughts.
我国绘画史中,诗与画的关系往往表现为诗境与画境的关系,二者统一于艺术思想的追求。
5) picture
[英]['pɪktʃə(r)] [美]['pɪktʃɚ]
画
1.
‘Transience’ in poems and pictures;
诗、画表现中的“一顷刻”
6) drawing
[英]['drɔ:ɪŋ] [美]['drɔ·ɪŋ]
画
1.
At the present age, the illustration art is drawing more attention from the public for its priority in broadcasting information rapidly.
时代进步,插图艺术概念已经从传统的书籍插图拓展到诸多领域,但不论是传统的插图,还是现代意义上的插图,在创作规律上,都离不开三个主要环节:人、文、画。
2.
Through the comparing of all kinds of comments related to Wang Wei s and Su Shi’s literary themes, aesthetic standards and art spirits, with internal set differences between poetry and drawing, the writer tries to make a further exploration again and expects to be profitable.
苏轼提评王维“诗中有画 ,画中有诗” ,涉及诗 ,画二艺 ,再来论诗 ,论文者少有提及引用 ,而且画史 ,画论称引频繁 ,并且均有各是其说之嫌。
补充资料：遗画工诗
【诗文】：
握手不能别，抚膺聊自伤。痛矣时阴短，悲哉泉路长。
松林惊野吹，荒隧落寒霜。言离何以赠，留心内典章。
【注释】：
【出处】：
全唐诗：卷865-2
握手不能别，抚膺聊自伤。痛矣时阴短，悲哉泉路长。
松林惊野吹，荒隧落寒霜。言离何以赠，留心内典章。
【注释】：
【出处】：
全唐诗：卷865-2
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条