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1)  andscape painting scheme
山水画图式
1.
According to related materials as Chinese ancient landscape painting theory, geomancy theory and landcape painting works, this thesis ana-lyzes the profound influence that the ancient ethics made to the forming of traditional Chinese landscape painting scheme, as well as the positive effect to the birth and development of its form lan.
本文根据中国古代山水画论、风水理论及山水画作品等相关资料,分析论证古代伦理思想对中国传统山水画图式的构成所产生的深刻影响,以及对古代山水画形式语言的形成和发展所起的积极作用。
2)  neo-orthodox design of South China Landscape Painting
南宗山水画新正统图式
3)  landscape painting determine polynome
山水画法式
4)  landscape;land-scape-painting
山水画; 山水
5)  Landscape [英]['lændskeɪp]  [美]['lænd'skep]
山水画
1.
Composing features of Chinese landscape painting reflected in the aesthetic ideal of "roaming and residing";
从“可游可居”的审美理想看中国山水画的构图特点
2.
A Degage and Natural Writing Brush,New and Graceful Calligraphy——Ni Zan s calligraphy and landscape;
逸笔草草——倪瓒书法与其山水画
3.
New ideas based on tradition Appreciation on Zhang Wenjun s landscape painting;
立足于传统基础上的创新——读张文俊教授山水画
6)  Landscape painting
山水画
1.
The tendency towards conscious simplicity in landscape paintingsduring the song Dynasty;
试论两宋时期山水画的自觉简略化倾向
2.
On Cultivation of Ability and Concept of Students in Landscape Painting Teaching;
谈山水画教学中学生能力和观念的培养
补充资料:陈式水墨山水
【诗文】:
造化有功力,平分归笔端。溪如冰后听,山似烧来看。
立意雪髯出,支颐烟汗干。世间从尔后,应觉致名难。



【注释】:



【出处】:
全唐诗:卷649-22
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