1.
Zhaomengfu s Misreading of Chinese Landscape Painting in Jin Dynasty, Tang Dynasty and Five Dynasty Caused Scholarly Landscape Painting Schema Style to Form;
赵孟頫晋唐五代山水画误读对文人山水画图式风格形成的促动
2.
Study on the Painting Art of DongYuan and the Landscape Painting Model of Nanzong;
董源的绘画艺术与南宗山水图式管窥
3.
"A Landscape, after Kun Can' s Style"
仿髡残山水图（绘画）
4.
Development and Evolution of Composition Mode of Ancient Traditional Chinese Landscape Painting--Re-discussion on the painting time of Han Xizai Yeyan Tu(Han Xizai’s Banquet at Night);
中国古代山水画构图模式的发展演变——续议《韩熙载夜宴图》制作年代
5.
The Scenery Has the Boundary--Song Yuan Landscape Painting Composition Evolution and Drawing Thought;
山水有境——宋元山水画构图演变及绘画思想研究
6.
The Development of the Chinese Tradition Landscape Ainting s Composition and the Relationship between the Compositiong and the Painting Subject;
传统山水画构图模式的发展及其与笔墨形式的关系
7.
Research on Landscape Painting Law in Painting Manual of Mustard Seed Garden;
《芥子园画传》中的山水画法式研究
8.
Pattern Innovation from Several Changes in the Style of 20th Century Traditional Chi-nese Landscape Painting;
从20世纪中国山水画的几种风格变化看图式创新
9.
Comparative Research on Composition of Chinese Landscape Painting and Japanese Landscape Painting;
中国山水画与日本风景画构图对比研究
10.
On the composition s difference between Chinese painting and the Westen landscape painting;
中国山水画与西方风景画构图差异探因
11.
The Iconological Study of Chinese Landscape Painting in the Age of Mao Zedong Administration;
毛泽东时代中国山水画的图像学研究
12.
On Li Yun ling art of Chinese painting shown in the "Narrow Room Painting";
从《容膝斋图》看倪云林山水画艺术
13.
Pursue the Conception of Nature Looking at Guo Xi Landscape Painting from in the
从《早春图》看郭熙山水画的自然观
14.
A Study of the Compact Style and the Sparse Style of Chinese Landscape Painting Through a Close Analysis of Qingbianyinju and Qiutingjiashu;
从《青卞隐居图》、《秋亭嘉树图》论山水画繁简二体
15.
Hill-side Cottages in Autum
秋山草堂图（绘画）
16.
Comparative Studies on the Visual Way of European Landscape and Chinese Landscape
欧洲风景画与中国山水画视觉方式比较研究
17.
His green-color landscape paintings, such as the Jian Pavilion, are marked by vigorous strokes and bright colors.
他的山水画以青绿山水见长，笔墨细润，风骨劲峭，色彩浓丽，如《剑阁图》。
18.
A Search For Mechanical Principle on The Mural of "An Picture of Water-powered Trip-hammer Workshop" of Yan Shan Temple of Fan Si;
繁峙岩山寺壁画《水碓磨坊图》及其机械原理初探