1) tanci
弹词
1.
Female Consciousness in Tanci Created by Women in the Ming and the Qing Dynasties;
明清女性弹词中的女性意识
2.
A Brief Analysis on the Documentary of Tanci since the 20th Century
二十世纪以来弹词研究文献简析
2) Tan Ci
弹词
1.
Tan Ci is seemed as the characteristics of "female style", which is materialized in the five sides: authors, readers, disseminators, content and modality.
弹词作为"女性文体"的特点表现在作者、接受者、传播者、内容、形式等五个方面。
2.
The voluminous Tan Ci <Fate of Next Life> is Chen Duansheng s composition.
陈端生的长篇弹词《再生缘》以浪漫主义的人物和情节 ,表达了女性渴望翻身的理想 ,向男权社会提出了大胆挑战。
3.
The paper elaborates the following four aspects: the textual criticism of Ci Hua、the research and criticism on edition of the history of Shi Duanjin Ci Hua through the successive dynasties and the relationship between the history of Shi Duanjin Ci Hua through the successive dynasties and Tan Ci、conclusion.
本论文所论述的内容主要包括四个部分：词话考略、《历代史略十段锦词话》版本考证、《历代史略十段锦词话》版本与弹词的关系、结语。
3) literary Tanci
弹词小说
1.
Specially the literary Tanci written by women writers in that created a lot of "the heroine" characters who fought the old confusianism ethics ,then went out of the closed boudoir,finally had great achiev.
由于清代特殊的历史背景和南方才女文化的繁荣,形成一种"女中丈夫"的社会风尚,在小说、诗歌、戏剧等文学作品中都有不同程度的反映,尤其是女作家创作的弹词小说塑造了一大批反抗旧礼教、走出深闺、各建奇功的"女豪杰"形象,在文学史上具有十分重要的意义。
6) Suzhou Tanci
苏州弹词
1.
Pinghua,storytelling in a local dialect and Tanci,storytelling to the accompaniment of stringed instruments are two different genres of performing arts;Suzhou Pinghua and Suzhou Tanci are the titles of two local operas in Suzhou dialect.
苏州评话、苏州弹词是曲种称谓。
补充资料：弹词
| 弹词 中国明清两代流行的曲种。有人认为源于宋代的陶真和元明两代的词话，待考。弹词在嘉靖、万历时已在南北各地演唱，戏曲家梁辰鱼有《江东二十一史弹词》。但明人对弹词与词话并没有厘定明确的界限，词话乃元明之旧称，凡说唱话本通谓之词话，如杨慎之《历代史略十段锦词话》，即通行本《二十一史弹词》。弹词用琵琶伴奏。至清代乾隆时期，弹词主要流行于江浙一带，它吸收了吴歌曲调，柔语如珠，缠绵委婉，最宜借弦索慢捻浅唱，故苏州弹词、四明南词等一直流传至今。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条