1) place in literary history
文学史定位
2) status in literature history
文学史地位
1.
This paper is beginning from the influence of the idea of courtesy and music culture in Qin dynasty and the inheritance and innovation to the speech tradition, discussed HanFu including it entertaining function, aesthetic consciousness and status in literature history .
本文从先秦礼乐文化观念的影响,“言志”传统的序变入手,对汉赋的娱乐功能、审美自觉及其文学史地位作以论述。
3) historical nature of modern Chinese literature
现代文学史定性
4) orientation of literature
文学的定位
1.
However, the orientation of literature and its essence are often mixed up in the process of argument.
文学本质问题是近年来文学理论界论争的一个焦点问题,而在论争过程中往往混淆了文学的定位和文学的本质。
6) theory of literary history
文学史学
1.
An abundant practice of over a century gives the birth of the theory of literary history,which,as a new,promising subject that need to be developing urgently,reflects on or checks up the work of literary scholars,summarizes the course of its development and distills its principles.
一百多年来丰富的中国文学史实践,催生着文学史学。
补充资料:《卡莱尔文学史演讲集》
英国作家托马斯.卡莱尔的著作,本书以对时代精神的把握和作家人格对其创作的影响为主线,对欧洲文学从古希腊至18世纪末的发展演变,进行了独到的评述和探讨,既有总括性考察,又有个案分析。它并不旨在对每一个文学现象、每一位作家、每一部作品进行理性的分析,而是说出了卡莱尔本人对各种文学问题,对诸位文学大师的独特感悟和感受。本书更为关注文学产生的原因、文学的发展历程及意义。作者知识面宽,文、史、哲无不涉猎,演讲中新见迭出,智慧的火花不时闪现。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。