The poetry criticism can not only use the word"saoya"and"magnificent & graceful"to clarify the songs creative principle and character but also draw on the criticism experience of the songs of the south analyzing method about metaphoric sym-bol.

Six-character poems that derived from Saoya formed in the Weijin Dynasty, became mature in the Tang Dynasty and peaked in the Song Dynasty.

It believe, poet s self-conceit and chase for outer confirm resulted in Saoya.

The main aesthetical ideal of ZhangYan to poertry is "refined tastes","lucidity",and "aesthetic interest",which mutually interact and perfect.

The refined tastes is an important theory in the criticism history of Chinese statement poetry.

This paper elaborates the doctrine—— refined tastes and lucidity raised by Zhang Yan with Jiang Kui s poetry theory as a reference, analyses the mechanism that forms the style with literary creation practice, and finally puts forward the cause of its formation by discussing the poet s experience, personality, cultural background and the development of the poetry itself.

Sao, Li Sao , poems of the Sao style, Sao Fu, 4 .

All through the ages it is very difficult to distinguish, to define the Fu whose definition even is contrary to its style, moreover there are enough different opinions about the relationship between the Fu and Sao.

Farming Poems in "Elegance" and "Extol" from "Book of Songs" Reflecting the Unification of Farming and Religious Rites;

On the Criteria of Elegance in Shi Pin;

Elegance:The Aestheric Ideal of Chinese Ancient Intelectual;