1) the shrew
悍妻妒妇
1.
The description of the shrew in Pu s stories exhibits very clear characteristics and conveys complex social and cultural elements.
蒲松龄对悍妻妒妇的描写呈现出鲜明的特征,其中传递出复杂的社会文化心理因素。
3) shrew
[英][ʃru:] [美][ʃru]
悍妇
1.
Targeting at a group of female imagery in Ming-Qing popular fictions,the essay analyzes emphatically the contributing factors of the imagery convergence of shrew and female hero,then discusses the special cultural significance of the imagery convergence.
以明清之际通俗小说里的一个女性形象群体为研究对象,分析该形象群体具有的悍妇与英雌特征及其成因,并讨论这一形象集合所凸现的独特文化意味。
2.
In this regime,however,there were not only angels,but also monsters;not only pretty faires,but also ferocious shrews,seductive wantons.
然而 ,浮现在这个女儿国中的 ,不仅有天使 ,还有魔鬼 ;不仅有善良美丽的菊花仙子 ,还有泼辣淫荡的悍妇妖女。
4) One's side-wife is shrewish
傍妻悍泼
5) A shrewish wife curses he husband
悍妻骂夫
6) jealous women
妒妇
1.
There were massive jealous women images in the novels of Ming and Qing Dynasties.
明清小说中存在着大量的妒妇形象。
2.
There are many Jealous women who have strong personality and great courage to love and hate in literary sketches of Tang and Wu Dai dynasties.
唐五代文言小说中刻画了大量性格鲜明、敢爱敢恨的妒妇形象,她们具有强烈的自我意识,敢于主动争取自由幸福的生活,表现出了对人性的自觉,对爱情、婚姻自由的渴望与追求。
补充资料：《秋胡戏妻》
| 《秋胡戏妻》 中国元代杂剧作品。石君宝著。这是一则早在民间流传的故事，事见刘向《列女传》。唐有《秋胡变文》。写秋胡新婚才3日，即被征召入伍，妻罗梅英在家含辛茹苦,侍奉婆婆。财主李大户倚势谋娶，遭梅英拒绝。10年后，秋胡得官荣归，在桑园相遇，竟调戏梅英。梅英发现调戏自己的竟是盼望多年的丈夫，顿感羞辱，要求离异，迫于婆母之命，勉强相从。全剧充满喜剧色调，但又写出了妇女的不幸遭遇，讴歌了她们的反抗精神。语言本色，成就较高，今仍在舞台演出。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条