2) original picture books
原创图画书
1.
This paper,comparing the developing history and current situation of picture books in China,Japan and South Korea,based on the developing history and present situation of the Chinese original picture books,the basic concepts about the picture book art are further defined,and the picture books’ actual condition and prospect is deeply analyzed.
通过对中国原创图画书发展历史与现状的梳理,进一步厘定了图画书艺术的基本概念,分析了我国图画书发展的实际状况和前景。
3) picture book
图画书
1.
As a special form, picture book can effectively promote preschool children’s language development in some respects.
图画书作为一种独特的读物形式,因其自身具备的诸多阅读特点,能有效促进学前儿童语言发展,如亲子共读图画书时父母的关爱和温暖会有益儿童语言学习能力的发展;图画书阅读对促进儿童语言中枢的成熟起着重要的催化作用;图画书的连贯性画面能促进儿童流畅语言表达;图画书为以形象思维为主的学前儿童提供了便于理解的基础。
2.
With the multi-line narration of pictures and words,stories told in picture book and their meaning are multiple.
图画书是图文共同构成的一个艺术整体,图像对构造故事、传情达意起着非常重要的作用。
3.
The author elaborates the fascination of picture book s literary style in three aspects: the character of main part in drawing, the character of whole visional transmission and the philosophy implicated in the theme.
图画书是儿童文学里一个重要和基础的种类,它以独特的文体魅力弥补了文字读本的缺陷,成为儿童文学中最受欢迎的艺术形式。
4) picture books
图画书
1.
Through analysis of Arnotd Lobel s I CAN READ picture books,this article attempts to discuss how Arnold Lobel,a great contemporary picture book writer,created his works which are both naive and profound by integrating the basic elements of literature and art.
文章通过对阿诺德·洛贝尔的“我会读”系列图画书的分析,试图探讨这位当代图画书大师是如何融合文学与艺术的基本元素并创造出天真与深刻并存的作品的。
2.
As a new theory of literary theory in children literature, the theoretical research of picture books is still in its infancy.
儿童文艺理论是文艺学发展薄弱的一个环节,图画书理论作为新兴儿童文艺理论,其理论研究仍处于起步阶段。
3.
As a special kind of literature which use pictures to express contents,picture books have unique characteristics in story formation,theme pattern and wording,etc.
图画书作为一种以图画为主要表现内容和形式的读物,在故事构成、主题形态、文字表达等方面都有特殊的性状;图画书的阅读与欣赏,需要建立在对这些特征的理解和把握的基础上。
5) animation creation
动画创作
1.
Research on nationality of Chinese animation creation
中国动画创作的民族化探索
2.
Along with the development of digital technology,2D non-paper animation is becoming one of the main methods of 2D animation creation system.
随着数字技术的不断发展,二维无纸动画正在逐渐成为二维动画创作的主流技术之一。
6) oil painting
油画创作
1.
Expounded is the significance and reason why water and mount subject is expressed in oil painting in terms of the relationship between man, nature, inspirations from traditional mount & water culture and enlightment drawn from the previous mount & water masterpieces.
从人与自然的关系、传统山水文化的感召、传统山水画大家创作的启示几个方面,论述了山水题材在当代油画创作中出现的原因与意义,希望对油画创作注重中国特色有所补益。
2.
As an important way of expression in Chinese contemporary oil painting, the tendency of complanation bears vivid characteristics of coevality.
平面化倾向是当代中国油画创作中的一种重要的表现方式，它具有鲜明的时代特征，与消费文化、媒体技术、网络文化、审美观念、传统人文精神等有着千丝万缕的联系。
补充资料：八相成道图画
【八相成道图画】
（图像）有部毗奈耶杂事三十八曰：“尔时世尊才涅槃后，大地震动，时大迦摄波作是念：此未生怨王，胜身之子，信根初发，彼若闻佛入涅槃者，必呕热血而死，我今宜设方便。作是念已，即命城中行雨大臣，仁今知不，佛已涅槃，未生怨王信根初发，彼若闻佛入涅槃者，必呕热血而死。我今宜可豫设方便，即依次第而为陈说。仁今疾可诣一园中，于妙堂殿如法图画佛本因缘。菩萨昔在睹史天宫，将欲下生，观其五事，托生母胎。既诞之后，逾城出家，苦行六年，坐金刚座菩提树下成等正觉。（中略）于诸方国，在处化生，利益既周，将趣圆寂，遂至拘尸那城娑罗双树，北首而卧入大涅槃。如来一代所有化迹，既图画已，白王观其图画。（中略）行雨大臣一如尊者所教之事，次第作已。（中略）王至园所，见彼堂中图画新异，始从诞生，乃至倚卧双林。王问臣曰：岂可世尊入涅槃耶？是时行雨默然无对。王见是已，知佛涅槃，即便号啕闷绝，宛转于地。”是为圆通八相成道之滥觞，世之为涅槃像者，基因于此。
（图像）有部毗奈耶杂事三十八曰：“尔时世尊才涅槃后，大地震动，时大迦摄波作是念：此未生怨王，胜身之子，信根初发，彼若闻佛入涅槃者，必呕热血而死，我今宜设方便。作是念已，即命城中行雨大臣，仁今知不，佛已涅槃，未生怨王信根初发，彼若闻佛入涅槃者，必呕热血而死。我今宜可豫设方便，即依次第而为陈说。仁今疾可诣一园中，于妙堂殿如法图画佛本因缘。菩萨昔在睹史天宫，将欲下生，观其五事，托生母胎。既诞之后，逾城出家，苦行六年，坐金刚座菩提树下成等正觉。（中略）于诸方国，在处化生，利益既周，将趣圆寂，遂至拘尸那城娑罗双树，北首而卧入大涅槃。如来一代所有化迹，既图画已，白王观其图画。（中略）行雨大臣一如尊者所教之事，次第作已。（中略）王至园所，见彼堂中图画新异，始从诞生，乃至倚卧双林。王问臣曰：岂可世尊入涅槃耶？是时行雨默然无对。王见是已，知佛涅槃，即便号啕闷绝，宛转于地。”是为圆通八相成道之滥觞，世之为涅槃像者，基因于此。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条