1) "Zhong-ti-xi-yong" Thoughts
中体西用观
1.
Analyzing Zhang Zhidong s "Zhong-ti-xi-yong" Thoughts from "Gui-Mao" Education System;
从癸卯学制看张之洞的中体西用观
2) Westernized Chinese style
中体西用
1.
The author probes and analyses the historical process of “westernized Chinese style" thoughts emergence, development and ultimate pattern.
本文对“中体西用”思想的萌生、发展与完全定型的历史过程进行了考察与分析 ,认为它不是某一个人物的独创 ,而是近代思想家不断探索的结果 ,是群体思想的结晶。
2.
So "Westernized Chinese style" became the central tenet of this ideological trend.
与西方不同,中国的文化保守主义还要面临一个儒家传统文化与西方现代文化的冲撞问题,“中体西用”思想成为了这一思潮的核心理念。
3) utilization of west in Chinese form
中体西用
1.
And about whether contemporary new-Confucian belongs to the school of utilization of west in Chinese form,there have been always being different judgments.
而关于现代新儒家是否属于中体西用派,历来聚诉纷纭,莫衷一是。
4) Zhong Ti Xi Yong
中体西用
1.
Historical Evolution of the Idea of"Zhong Ti Xi Yong"in Modern China;
“中体西用”思想在近代中国的历史演变
2.
Thus it can be seen that the notion of "Zhong Ti Xi Yong" can not promote the systemically spread of the West Culture and, at the same time, learning from West Culture suffers formidable process in China.
从京师同文馆创设角度看西学在中国的进入方式,西学在中国的认同状态,西学在中国的文化土 壤,由此可见"中体西用"思想并不能使西学在中国得到系统地传播。
5) basing on China to use west
中体西用
1.
The thought of GUO Song-tao is transcendent which is concentrated on his theory of "non-essentials and fundamentals" and "basing on China to use west".
郭嵩焘的思想具有超越意识,这集中体现在他的本末理论和对"中体西用"的否定变革上。
6) Chinese and Western style
中西体用
补充资料：简寂观西涧瀑布下作
【诗文】：
淙流绝壁散，虚烟翠涧深。丛际松风起，飘来洒尘襟。
窥萝玩猿鸟，解组傲云林。茶果邀真侣，觞酌洽同心。
旷岁怀兹赏，行春始重寻。聊将横吹笛，一写山水音。
【注释】：
【出处】：
全唐诗：卷192_64
淙流绝壁散，虚烟翠涧深。丛际松风起，飘来洒尘襟。
窥萝玩猿鸟，解组傲云林。茶果邀真侣，觞酌洽同心。
旷岁怀兹赏，行春始重寻。聊将横吹笛，一写山水音。
【注释】：
【出处】：
全唐诗：卷192_64
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条