1) novelist
[英]['nɔvəlɪst] [美]['nɑvḷɪst]
小说家
1.
Shuo yuan have close contact with the novelist of Han dynasty book list.
艺文志》中"小说家"有着紧密的联系,《说苑》的作者是刘向,"小说家"分类来自于刘向的思想,而且《说苑》的体裁与小说作品极其相似,因此,"小说家"借用"说"作为这一流派的命名,更多的得到了《说苑》等说体文的启示。
2.
The word,novelist,in Book of Arts of the Chronicles of Han Dynasty firstly appeared in Western Han Dynasty.
《汉志·诸子略》之"小说家",其名始见于西汉。
3.
He also created the school of "novelist" later on.
西汉学者刘向撰写了许多以"说"命名的叙事性作品,他还增设了"小说家"这一诸子学派,这些证明刘向具备了说体文思想。
2) novelists
[英]['nɔvəlist] [美]['nɑvḷɪst]
小说家
1.
In the eyes of novelists,pottery and porcelain culture is based on the thousand-year kiln brilliance of Jingdezhen and the unique pottery and porcelain culture of regional background by novelists.
小说家视野里的陶瓷文化,以闪烁着千年窑火的辉煌的景德镇为研究对象,结合小说家以此地域为背景的《陶瓷物语》等文本的创作,探研陶瓷文化的母性特征,海纳百川的母性的胸怀;寻觅御窑皇瓷和民间青花的特质及交融关系;感悟炼瓷就像人生历程,人的情感的丰富脆弱犹如瓷的珍贵。
3) family novel
家族小说
1.
On the Notion of "Imitating the Ancestor" Covered by the Pastoral Camplex——Another Interpretation on Zhang Wei s family novels;
“田园”情结遮蔽下的“仿祖”意念——张炜家族小说的另一种解读
2.
Discussin on differences of family novels between 1930 s and 1940 s according to Family and Rich Man s Children;
以《家》和《财主底儿女们》为例略论三十年代与四十年代家族小说的差异
3.
A fresh inquiry into the image of "father" in the family novel of the 1900s;
20世纪“家族小说”中“父亲”形象新论
4) saga novels
家庭小说
1.
The strong "problematic awareness" is an important feature to screen the "saga novels".
明清长篇家庭小说不仅详尽地描述了日常态下的家庭生活,还通过多姿多彩的画面探讨了家庭中存在的诸多问题及阻碍家庭发展的各种制约关系。
2.
By comparison,we can find that as individual works,the several saga novels in the Ming and Qing Dynasties are into specialized study field.
相较于明清时期长篇家庭小说各著作个体研究几成专学的研究现状,目前的研究界对此类小说整体类型的界定及认识却处于研究的初步阶段,对其的论述也大多散见于文学史零星的记述当中。
3.
The slaves are a special class in the family members of ancient China,lowly status but very essential,there are too many slaves in saga novels of the Ming and Qing Dynasties.
奴仆是中国古代家庭成员中的特殊阶层,地位卑微却又不可或缺,他们在明清家庭小说中有着广泛性的存在。
5) family novels
家族小说
1.
The contemporary family novels present their tragical aesthetical pattern in the ways of "the hardship of living and desperate experience","the fading away of life","the showing up of the last savior","the cycle of destiny and history" and so on.
当代家族小说的悲剧性审美格调是透过“生存之苦和绝望体验”,“灯油耗尽和大限将至”,“最后一个拯救者出场”,“命运轮回和历史循环”等方式呈现的。
2.
This article has selected many lengthy family novels in the new period as the objects,taken the sexual narrative as the involvement spot,and analyzed "the meaning of blood relationship" in sexual narrative comparatively.
新时期家族小说中,性别叙事对血缘作用不同层面的关注与开掘,以及对既定血缘作用的多方位思考,既体现了影响性别叙事的内在动机,也使其在血缘意义的呈现上具有独特价值。
3.
Influenced by ‘treachery and redemption’in May 4th new literature family novels, the characters in northeastern modern kindred novels show a kind of complicated characteristics between treachery against feudal family system and redemption to spiritual circle, and a tragic fate of being a marginal character in a male-dominated feudal family.
受五四新文学家族小说“叛逆与救赎”人物塑造模式的影响,东北现代家族小说中的人物,突出地表现出一种对封建家庭制度的叛逆与对精神家园的拯救相交织的复杂的人性特征,以及以男性为主体的封建家庭中没有自我的边缘人的悲剧性命运。
6) family fiction
家族小说
1.
Chinese family fiction in the 20th century is produced with the transition of the society and culture as well as the appearance of the conflicts and fusion of Chinese and western literature.
20世纪中国家族小说是在中国社会、文化的转型和中外文学的碰撞、交汇的背景下建构的,它的逻辑基点也直接受到了其背景的影响。
2.
The general narrative model of modern family fictions is "narrative of besieged city" which decides the identical features of deep structure and main narrative clue.
现代作家深层心理结构中的“围城意识”进入家族文本空间,形成现代家族小说的“围城叙事”。
补充资料：小说家
1.古代九流十家之一﹐乃采集民间传说议论﹐借以考察民情风俗之士。 2.泛指性质不同的各种杂记琐言。 3.特指说话家数之一。 4.从事小说创作有相当成就者。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条