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1)  eight-part essay
八股文
1.
A Discussion of the Test Function of Daiyan in Eight-Part Essay Writing;
八股文“代言”考试功能述论
2.
Qing s Cultural Policy Influencing upon the Marking Criterion of the Eight-part Essay;
清代文化政策对八股文衡文标准的影响
3.
The Three Abolitions of Eight-part Essay of Imperial Examination System in Qing Dynasty and their Influence on Intellectuals;
清代三次废除八股文的科举制改革及其对知识分子的影响
2)  The Eight-part essay
八股文
1.
The Eight-part essay was one of the special styles for the Imperial Examination from Ming to Qing Dynasty.
八股文是明清科举考试的一种专用文体,1901年被正式废除,此后十多年,少有人提起它。
2.
The eight-part essay was One of the most important and basic style of writing of the Imperial examination in Ming-Qing Dynasty.
八股文是明清科举考试最基本也是最重要的一种文体。
3.
There are similarities in the use of allusions between Xiang Nang Ji and the eight-part essay,such as the scope of the selection of allusions,the extent of the use of allusions,the method of the use of allusions and the main role of allusions.
《香囊记》用典与八股文用典有一定的相似之处,主要表现在选择典故的范围、使用典故的程度、方法及典故所起的主要作用四个方面。
3)  the eight-legged essay
八股文
1.
Some researchers,represented by Kaplan,hold that Chinese rhetorical pattern,influenced by the eight-legged essay or the qi-cheng-zhuan-he structure,is indirect in development,while still some insist that there are not fundamental differences between English and Chinese rhetorical patterns.
对比修辞学领域内一个争议较大的问题是:英汉篇章修辞结构之间有没有本质差别?以Kaplan为代表的学者坚持汉语篇章受八股文或起-承-转-合结构的影响,是间接发展的,而其他研究者倾向于认为英汉篇章结构之间并无本质差别。
4)  eight-legged essay
八股文
1.
On Features of Eight-Legged Essay:Realistic Style in Ancient Research and Study;
八股文的不同品位——兼谈古代文化研究中的实事求是态度
2.
The education reform at the end of the Qing dynasty started from the Reform Movement of 1898,in which Emperor Guangxu declared the abolition of the eight-legged essay.
清末的教育改革始于戊戌维新运动,光绪帝在“定国是之诏”中明确宣布停废八股文,改试时务策论。
5)  stereotyped writing
八股文
1.
A deviation of stereotyped writing of the Ming Dynasty from the literary creations;
明代八股文对文人创作的背离
6)  eight part essay
八股文
1.
For many years, it was generally held that it were Emperor Taizu of the Ming and Liu Ji who decided that parallels and antithesis be used in Eight part essay (bagu wen).
长期以来,人们一般认为八股文体用排偶的语言体式为明初太祖与刘基所定。
2.
Based on the eight part essay s or zhiyi s developing history which servs as a clue, the article seeks the developing history of eight part essay or zhiyi in Linchuan literature and comments on the special contributions of the eight Lin chuan writers (Wang Anshi,Lu Jiuyuan, Tang Xianzu , four gifted scholars and Li Laitai.
八股文融汇我国古代文学众长 ,堪称“中国一绝” ,有近千年的演变历史。
补充资料:八股文
八股文

    中国明清两代科举考试采用的一种专门文体。又称时文、制义或制艺。八股文滥觞于北宋。王安石变法,认为唐代以诗赋取士,浮华不切实用,于是并多科为进士一科,一律改试经义,文体并无规格。元代科举考试,基本沿袭宋代。明代洪武元年(1368),诏开科举,对制度、文体都有了明确要求。不过写法初无定规。成化年间,经王鏊、谢迁、章懋等人提倡,逐渐形成比较严格的程式。此后一直沿用下来,由明中期而泛滥整个清代,直到戊戌变法后,才随着科举考试的停止而废除。
   八股文每篇文章均按一定的格式、字数由破题、承题、起讲、入手、起股、中股、后股、束股八部分组成。破题是用两句话将题目的意义破开,承题是承接破题的意义而说明之。起讲为议论的开始,首二字用“意谓”、“若曰”、“以为”、“且夫”、“尝思”等开端。“入手”为起讲后入手之处。起股、中股、后股、束股才是正式议论,以中股为全篇重心。在这四股中,每股又都有两股排比对偶的文字,合共八股,故名八股文。题目主要摘自四书、五经,所论内容主要据宋朱熹《四书章句集注》,不得自由发挥、越雷池一步。一篇八股文的字数,清顺治时定为550字,康熙时增为650字,后又改为700字。八股文注意章法与格调,本来是说理的古体散文,而能与骈体辞赋合流,构成一种新的文体,在文学史上自有其地位。但从教育的角度而言,作为考试的文体,八股文从内容到形式都很死板,无自由发挥的余地。不仅使士人的思想受到极大的束缚,而且败坏学风。
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