1) calligraphy style between north and south
南北书风
1.
In China there have been lots of disputes about the calligraphy style between north and south for a very long time.
文章就南北书风存在的地域性群体差异,通过对《张玄墓志》与北碑、南帖的比较,论述了南北书风间相互影响、相互融合的现象,并分析了相互影响的主要因素。
2) the calligraphy style in Northern and Southern Dynasty
南北朝书风
4) the spread of South-China customs into the North
南风北渐
5) styles of south & north
南北文风
1.
While the restoring ancient thoughts developed, there was a tendency that the writings styles of south & north were mingled in the middle period of Ming Dynasty.
在明中期复古主义文学思潮发展的同时,南北文风交融开始出现,徐祯卿是这一过程的关键人物。
6) southern and northern styles
南北诗风
1.
The Sui Dynasty poetry is a significant link from the Southern and Northern Dynasties to the Tang Dynasty manifested in the overall integration of southern and northern styles of Chinese poetry.
南北诗风的融合是南北朝诗歌向唐代诗歌发展的总趋势 ,而隋诗则是该阶段的重要一环。
补充资料：风入松 壁间书松
【诗文】：
白云堆里奋苍＊。横亘洞庭秋。掀髯舞爪何狞恶，峥嵘势、抉石崩流。飞入君家栏槛，满堂风雨飕飕。须叟烟雾漠然收。幻出老松揪。谁濡墨汁传神妙，森森露、铁戟戈矛。对此翠涛银浪，也胜瑶岛沧洲。
【注释】：
【出处】：
白云堆里奋苍＊。横亘洞庭秋。掀髯舞爪何狞恶，峥嵘势、抉石崩流。飞入君家栏槛，满堂风雨飕飕。须叟烟雾漠然收。幻出老松揪。谁濡墨汁传神妙，森森露、铁戟戈矛。对此翠涛银浪，也胜瑶岛沧洲。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条