The paper summarized some features of Chaozhou zheng music with notation,modes,variation,banshi(tempo in Chinese folk music),temperament,and performance technique,as well as the representative player Xu Shoucheng and his individual characteristic.

From the point of guzheng performance technique, the paper recorded and narrated the general situation of guzheng playing skill in ancient time and its transform during the progress of developing.

This paper will review the three stages of the development of the playing techniques of dulcimer and the composition of works, probe into the patterns of the development of techniques and the composition of works at each stage respectively, demonstrating the achievement and accomplishments of this art since 1949.

In the following sections, his piano works are further explored by analyzing the works of "Second Piano Sonata" and comparing the playing techniques.

This paper starts the point from two aspects, that is, music language and performing skills.

Chaozhou zheng s performance skills;

Her works, wether the choice of subject matter and musical element, or exertion and innovation of Performance skill, have individual characteristics.

Proceed from national musicology, this article will analyse the Pipa artdevelopment and the influence from society, explain the relationship amongcomposing Pipa melody, Pipa playing skills and the social environment.

In an attempt to probe into the mood, tone and composing and performing techniques of the composition, the author reveals the unique expression of the mood and the aesthetic pursuit of the composer.