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1)  Aesthetic perspective
审美视角
1.
Research of Gatekeeping of Network Learning Environment under the Aesthetic Perspective
审美视角下网络学习环境中的把关研究
2.
As the most integrated novels, the novels written by the school of new sensation achieved the modern quality of novel by the creating subjects′ pursuit of fantasticism, novelty and strangeness and by their sharp-cut consciousness of ugliness, internal aesthetic perspective and modern artistic aesthetics.
新感觉派小说作为中国最完整的一支现代派小说,它以创作主体对怪、新、异的现代性审美倾向的追求,以其鲜明的审丑意识,内向性审美视角,现代的艺术美感,实现了小说的现代性品格。
2)  aesthetic view
审美视角
1.
Though a pattern of variety and many voices, the twentieth-century European and American literature presents a trend of rare commonness, that is, the introverted aesthetic view of the writers.
欧美作家审美内向化有其社会、思想和审美的深刻根源;作为20世纪的文学主潮,现实主义和现代主义作家的审美视角都表现了这一特点;作家审美视角的内向化,打破了传统文学封闭结构,为文学发展开辟了新的艺术领域,增加了作品的容量和力度。
3)  aesthetic angle of view
审美视角
1.
It mainly explores into the change in Jia s aesthetic angle of view in the aspects such as the effect of the modernist literary school upon Chinese literature, the survival alienation brought about by the transformation of the socioeconomic structure, and his personal experience in life, so that we can see clearly the real purpos.
本文以贾平凹自90年代以来在创作上审美视角的转变着手,分析其创作由审美向审丑转变的原因。
4)  aesthetic horizon broadening
审美视角拉伸
5)  peculiar aesthetic perspective
独特的审美视角
6)  aesthetic perspective
审美透视
补充资料:全知视角

全知视角是在小说创作常用的叙述形式。一般以第三人称为主。

全知视角即叙述者处于全知全能的地位,作品中的人物、故事、场景等无不处于其主宰之下,调度之中。

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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