1) Original Breeding Farm of Jinnan Cattle
晋南牛原种场
2) Jinnan Cattle
晋南牛
1.
Survey on the Herd of National Original Breeding Farm of Jinnan Cattle;
晋南牛国家级原种场种牛群调查研究
2.
In order to investigate the male and female origin of Jinnan cattle, 30 male Jinnan cattle were selected and analyzed in INRA124 locus of Y chromosome and Cytb gene.
为了研究晋南牛的父系起源和母系起源,随机抽取30头晋南公牛,分别对Y染色体INRA124微卫星位点和线粒体DNAcytb基因进行分析。
3.
PCR-RFLP technique was used to analyze the relationship between the polymorphisms of IGFBP3 gene and beef performance in 24 Luxi cattles and 19 Jinnan cattles.
利用PCR-RFLP技术对24头鲁西牛和19头晋南牛的IGFBP3基因多态性及与屠宰性状的关系进行了研究。
3) jinnan yellow cattle
晋南黄牛
4) Datong Cattle Farm
大通种牛场
1.
Grassland types and their vertical distribution on the Datong Cattle Farm in Qinghai, China;
青海大通种牛场草地类型及其垂直分布的调查研究
2.
The study of structure characteristic and biomass of bush-land in Datong cattle farm of Qinghai province;
青海大通种牛场灌丛草地植物群落结构特征及植物量的调查研究
3.
Investigation of grassland resource was carried out in Datong cattle farm in Aug.
为了摸清青海省大通种牛场草地和牲畜资源 ,2 0 0 1年 8月对该场草地资源做了详细调查 ,结果表明 ,全场土地总面积 5 5 8。
5) the south of Shanxi province
晋南
1.
When Shang army attacked in force,again and again the Xia army retreated in defeat,at last,they retired to the south of Shanxi province.
当商军自东而西大举进攻时,夏军节节败退,最后退至大后方晋南一带。
2.
All of capitals of Xia dynasty were in the west of Henan province, and in the south of Shanxi province, no capital sites of Xia dynasty as Yin Ruins in Anyang were discovered.
夏王朝包括夏代晚期的都城皆在豫西地区,晋南地区不存在像安阳殷墟那种都城废址性质的属于夏王朝的都邑故址;文献所记的“夏墟”应该是泛指广大区域而非专指某一地点,整个晋南地区皆应该属于“夏墟”之范围;晋南地区被称作“夏墟”的原因是由于商王朝灭夏之后夏族聚居晋南所致,“夏墟”即夏族聚居区;晋南地区被称作“夏墟”只能说明商代和西周初年夏族曾聚居于此,其与夏族的起源和夏文化的渊源没有必然的联系。
6) Jinnan
晋南
1.
The Microbe Amount and Enzymes Activities of Soil in Greenhouse in Jinnan Area;
晋南日光温室土壤微生物及土壤酶活性变化规律研究
2.
Comparative Research to Prehistoric House Foundations in Jinnan Quarter and Discussion on Related Questions;
晋南地区史前房址的比较研究及相关问题探讨
补充资料：晋南木版年画
晋南木版年画 山西晋南木版年画，发源于古晋河东南路平阳府（今临汾、远城地区）。南宋时已相当发展。1909年在甘肃额济纳旗黑城镇古塔内，发现一幅宋金时期的“隋朝窈窕呈倾国之芳容”四美图雕版画，似年画形式，上有“平阳姬家雕印”字款。反映了古代平阳木版画的高水平。明清时得到更大发展。晋南木版年画风格粗犷、豪放、纯朴，具有浓烈的乡土气息。其特点：一，因物设画，形式多样。有中堂、屏条、贡笺、拂尘纸、灶画、春联等一整套。其二，敷彩多用大红、老绿、普蓝、黑色等。其三，诗画相配，字画结合。画幅、构图等讲究对称、均衡，两幅一对，或四幅一套；单幅画内容、形式亦要求“对仗”，人物数量、道具背景、姿势、服饰、色彩要求相仿、相对。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条