1) literature Sukhavati
文学净土
2) local literature
乡土文学
1.
Misery shouldn t become the old ruts of the local literature——Talking about simultaneously the transformation of Yan Lianke s novel creation;
苦难不应成为乡土文学的窠臼——兼谈阎连科小说创作的转型
2.
Transformative Bridal Sedan Chair And Transfigured coffin——Tentative inquiry into culture of folk customs in Chinese contemporary local literature in the 1920s;
变形的花轿与走样的棺木——二十年代中国现代乡土文学
3.
A sadly beautiful local love song: A comparison of "local literature" between Shen Cong-wen and Mizukami Thutomu;
哀婉而凄美的乡土恋歌——沈从文与水上勉“乡土文学”之比较
3) native literature
乡土文学
1.
On the Creative Ideal and the Creative Consciousness of Shen Congwen s Native Literature;
论沈从文的乡土文学创作理想和创作意识
2.
The Chinese literature history in the 20th century is,in a broad sense,a history of native literature and a changing process of native literature in the modern cultural context and the historical setting of saving the nation from extinction.
中国20世纪文学史是一部乡土文学在现代文化语境和民族救亡图存的历史背景下的流变史。
3.
Contrasted with a marked characteristic about the subject matter,native literature in the 1920s did not have a distinct theme,as to its reasons,the author of this paper believes that most of the literary works are mutually contradictory in many aspects such as how to describe and reflect the rural life and what subject matters should be choosen and so on.
对于20世纪20年代的乡土文学来说,鲜明的题材特征并没有带来明确的意义属性或审美内涵,其原因在于由于乡土作家在反映、描写以及对待乡土生活、乡土气息等各方面都存在着某种“矛盾心理”,并且在表达艺术和写作技巧方面对于乡土题材进行了“矛盾修饰”。
5) loess literature
黄土文学
1.
"The school of loess literature", a group of Shaanxi writers, who have endured the past decades with their identical or similar subject-matter, means of expression and artistic style, was established by Liu Qing and succeeded and developed by Lu Yao, Chen Zhongshi and their like.
在陕西当代作家群中,明显存在着一个创作题材、表现手法、艺术风格相同或相近,由柳青发端,路遥、陈忠实等继承发展,代际传承明显的流派——"黄土文学流派"。
6) rural literature
乡土文学
1.
After him British poet Wordsworth and French female writer George Sand produce works of rural literature respectively in the form of poetry and novel that have great influence on the later ages,and thus establish the position of rural literature.
在世界文学史上,法国的卢梭是乡土文学创作的先驱。
2.
Area coloring is the essential trait of the rural literature:"Earth" is not only realistic material background of the story-going,but also the symbol of our national historic culture.
地域色彩是乡土文学的本质特征,"土地"在乡土文学中既是故事展开的现实的物质背景,更是民族历史文化的象征。
3.
Rural literature is a important part in China modern literature of 20`s century.
20世纪的乡土文学是中国现代文学的重要组成部分。
补充资料：佛无净土
中国东晋末佛教学者道生的学说，由法身无色义发展而来。佛的理和教合称为"法",佛死后以法为身,称为"法身"。佛的法身是无形相的，并不存在观念中象人一样的佛，是谓"法身无色"。由于法身无色，罪福并舍，因此佛是无净土的。再就众生而言，一切众生都有佛性，而体现了佛性的自我就是真法身。所谓成佛并非离开自我而另有所立，不是超绝众生世界而别树境界。
道生认为分别净土和非净土来形容佛的境界，不合佛理。他说:"无秽之净，乃是无土之义。寄土言无,故言净土。无土之净，岂非法身之所托哉?"秽净之土,相对而言,非就至理而论。无土之净,方为法身之所托。净土说是方便施教，引人向佛，使生企慕意深，非真正佛理。包括净土在内的事物形象的生成，是众生妄念执着的结果,如果妄念消尽,会归于理,也就无事物形象,无净土了。道生此说与当时名僧慧远专心祈求超脱众生居住的世间（秽土），往生阿弥陀佛所在的西方极乐世界的学说相对立。实和中国传统强调内心修养思想相关，对尔后禅宗南宗发生了直接的影响。
道生认为分别净土和非净土来形容佛的境界，不合佛理。他说:"无秽之净，乃是无土之义。寄土言无,故言净土。无土之净，岂非法身之所托哉?"秽净之土,相对而言,非就至理而论。无土之净,方为法身之所托。净土说是方便施教，引人向佛，使生企慕意深，非真正佛理。包括净土在内的事物形象的生成，是众生妄念执着的结果,如果妄念消尽,会归于理,也就无事物形象,无净土了。道生此说与当时名僧慧远专心祈求超脱众生居住的世间（秽土），往生阿弥陀佛所在的西方极乐世界的学说相对立。实和中国传统强调内心修养思想相关，对尔后禅宗南宗发生了直接的影响。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条