1) Living
[英]['lɪvɪŋ] [美]['lɪvɪŋ]
活着
1.
Understanding on Traditional Culture Revealed in"Living"by Yu Hua;
佘华小说《活着》的传统文化解读
2.
Different cultural traditions, values and ideals result in their different attitudes towards death and "living".
《罪与罚》和《活着》分别通过主人公拉斯柯尼科夫和福贵的视野表达了对死亡所具有的残忍力量的认识。
2) survivor
[英][sə'vaɪvə(r)] [美][sɚ'vaɪvɚ]
活着
1.
Whereas in 1990s, YU Hua changed his writing attitude and began to express loving care for those survivors who live hypocritically.
余华1980年代的创作以“愤怒”的写作显示了先锋文学的挑战性姿态,其1990年代的创作以幸存者的言说表达了虚伪的“活着”的人生关怀;从“愤怒”的写作到虚伪的“活着”构成了余华创作的后现代叙事策略。
4) To Live
《活着》
1.
The Aesthetic Transmutation of the Novel To Live in Drawing-interpretting Times;
《活着》在读图时代的审美嬗变——小说与影视之比较
2.
Through analyzing the To Live and Chronicle of a Blood Mercha of Yu Hua,the article points out the influence of the Western Writer on Yu Hua in four espects,including Borge′s Time Theory,Rland Barthes′ zero Degree Theory,Fyodor Dostoyevsky′s Pain Consciousness and Suzie′s Existentialism.
文章通过对余华近作《活着》和《许三观卖血记》的解读和分析,从四个方面说明余华受西方作家影响较深:受博尔赫斯的时间理论影响,余华在叙述时采用重复与循环的叙述结构;罗兰。
5) Aliveness
《活着》
1.
Tenderheartedness Construction of Folk Ideal——Comments on YU hua s Aliveness and XU San-guan s Sales of His Own Blood;
民间理想的温情营构——评余华的《活着》与《许三观卖血记》
2.
This paper,while analyzing Yu Hua s such works as Aliveness、Xu San-guan s Sale of His Own Blood and Brothers,exemplifies and expounds the three ways of resisting sufferings in his novels.
本文结合余华的《活着》、《许三观卖血记》和近作《兄弟》阐述作家对苦难人生进行消解的三种途径。
6) Being Alive
《活着》
1.
Being Alive: A Modern Tragedy Composed of "Absurdity" and "Irrationality";
《活着》,由“荒诞”与“非理性”构成的现代悲剧
2.
The Death Experience in Yu Hua s Being Alive;
论余华《活着》的死亡体验
补充资料：活着
1.妙着。指下棋时机动灵活，不被对方所牵制的一步。 2.引申为随机应变的办事方针。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条