晚唐体,Late-Tang poem style,在线英语词典,英文翻译,专业英语

1) Late-Tang poem style

晚唐体

The study of"Late-Tang poem style"and"Late-Tang;

“晚唐体”中辨“晚唐”

2) Genre of Late Tang

“晚唐体”

3) the Late Tang Style

"晚唐体"

This fashion of writing poetry did influence literature in the early North Song Dynasty, but the Late Tang Style in the prime of the dynasty differed from the poetic style in the late Tang Dynasty.

这种创作趣尚影响了北宋初期的文学,但北宋初期的"晚唐体"却不等同于晚唐诗风。

4) late Tang

晚唐

As the windup of the aesthetics trend of the Tang dynasty, the aesthetics of the late Tang did not fall and cease with the dying society, on the contrary, it still exerted strong influences though the economic and political situation of the late Tang was getting worse, and this is closely related to the social psychological foundation laid in the major national fusion in the Northern dynasty.

晚唐时期的美学思潮作为唐代美学思潮的终结部分,并未同其生命危浅、朝不虑夕的社会一起衰退消歇,恰恰相反,与那笼罩着一派凄凉萧瑟的暗淡气氛的晚唐经济和政治局势相映照,其时代美学思潮激起的浪花却更为灿烂夺目。

Poems meditating on the past constituted a peak in the late Tang poetry.

怀古诗是晚唐诗坛的一座高峰,残宫作为一种典型意象常被用于晚唐的怀古诗中,诗人借此表达他们对人生空漠、繁华难恃的感慨,探寻人生的意义和价值。

5) late Tang dynasty

晚唐

Evolution of the Meaning Hardship-Chanting Poetic Genre in the Late Tang Dynasty;

论晚唐“苦吟”的内蕴流变

On How Poetry on Historical Themes in Late Tang Dynasty Reflect Social and Individual Rises and Falls;

晚唐咏史诗对社会兴亡人生成败的归因简析

6) the late Tang dynasty

晚唐

The Spread and Reception of Wen Tingyun Ci-Poetryduring the Late Tang Dynasty and Five Dynasties;

温庭筠词在晚唐五代的传播与接受

With the downfall of poetry in the late Tang Dynasty,essay writing stepped onto the front stage,bringing refreshing color to the culture in the late Tang Dynasty.

晚唐诗风逐渐没落,小品文走向前台,为唐末文学带来一丝亮色。

On one hand,the poets of the late Tang Dynasty absorbed the creation experience of previous writers,on the other hand,they were moved and motivated by times of their own,thus composed a lot of intoning-history poems,which formed a unparalleled climax.

晚唐诗人一方面吸取前人的创作经验,同时受时代感发创作了大量的咏史诗,形成了空前的高潮,不但数量大幅度增加,蔚为大观,而且内容更为广泛,几乎涉及所有重要的古代事件,对当代史事也有所涉及。

参考词条

晚唐词晚唐文学晚唐时期中晚唐诗晚唐科举晚唐异味晚唐诗歌晚唐诗风晚唐诗六自由度空间运动方程指数复合

补充资料：晚唐派

晚唐诗派

标榜学晚唐诗的近代诗派。领袖人物为樊增祥、易

顺鼎。他们着重学习晚唐诗人李商隐、温庭筠、韩□，

从韩□“香奁体”入手,好作艳体诗,追求对仗工巧，隶

事精切，词采富艳,诗风典赡华靡,工整绵丽。樊增祥自

称“性耽绮语”,“学诗自香奁体入”。学诗之初,“积

诗千数百首，大半小仓（袁枚）、瓯北（赵翼）体，其

余皆香奁体也”。又说“三十以前,颇嗜温、李,下逮西

□，即《疑雨集》、《香草笺》，亦所不薄”（《樊山

全集》续集第26卷）。易顺鼎诗以“近于温李者居多”，

“以学晚唐者为最佳”。近体诗“惟以裁对鲜新工整为

主”，晚年“益纵情于舞榭歌场”，诗“多冶游之作”

（陈衍《石遗室诗话》）。属于这一派的主要诗人还有

三多、李希圣、曹元忠等。

三多，字六桥，又署鹿樵、可园。满人。曾官绥远、

奉天都统，杭州、库伦驻防大臣。为樊增祥诗弟子，工

于隶事，极似樊。所不同者，诗多边地莽苍之气，善以

满蒙方言入诗。有《可园诗钞》。李希圣(1864～1905)，

字亦元。湖南湘乡人。光绪十八年(1892)进士，官刑部

主事。诗大多为七律，专学李商隐。有《雁影斋诗存》。

曹元忠，字君直。江苏吴县人。光绪二十年(1894)举人，

曾官内阁中书。诗亦专学李商隐，其工妙不下李希圣诗，

有《北游小草》。

说明：补充资料仅用于学习参考，请勿用于其它任何用途。

首页 \| 翻译 \| 影视 \| 论坛 \| 索引晚唐宋初晚唐五代中晚唐晚唐政局晚唐后期晚唐诗学

1) Late-Tang poem style 晚唐体 1. The study of"Late-Tang poem style"and"Late-Tang; “晚唐体”中辨“晚唐” 2) Genre of Late Tang “晚唐体” 3) the Late Tang Style "晚唐体" 1. This fashion of writing poetry did influence literature in the early North Song Dynasty, but the Late Tang Style in the prime of the dynasty differed from the poetic style in the late Tang Dynasty. 这种创作趣尚影响了北宋初期的文学,但北宋初期的"晚唐体"却不等同于晚唐诗风。 4) late Tang 晚唐 1. As the windup of the aesthetics trend of the Tang dynasty, the aesthetics of the late Tang did not fall and cease with the dying society, on the contrary, it still exerted strong influences though the economic and political situation of the late Tang was getting worse, and this is closely related to the social psychological foundation laid in the major national fusion in the Northern dynasty. 晚唐时期的美学思潮作为唐代美学思潮的终结部分,并未同其生命危浅、朝不虑夕的社会一起衰退消歇,恰恰相反,与那笼罩着一派凄凉萧瑟的暗淡气氛的晚唐经济和政治局势相映照,其时代美学思潮激起的浪花却更为灿烂夺目。 2. Poems meditating on the past constituted a peak in the late Tang poetry. 怀古诗是晚唐诗坛的一座高峰,残宫作为一种典型意象常被用于晚唐的怀古诗中,诗人借此表达他们对人生空漠、繁华难恃的感慨,探寻人生的意义和价值。 5) late Tang dynasty 晚唐 1. Evolution of the Meaning Hardship-Chanting Poetic Genre in the Late Tang Dynasty; 论晚唐“苦吟”的内蕴流变 2. On How Poetry on Historical Themes in Late Tang Dynasty Reflect Social and Individual Rises and Falls; 晚唐咏史诗对社会兴亡人生成败的归因简析 6) the late Tang dynasty 晚唐 1. The Spread and Reception of Wen Tingyun Ci-Poetryduring the Late Tang Dynasty and Five Dynasties; 温庭筠词在晚唐五代的传播与接受 2. With the downfall of poetry in the late Tang Dynasty,essay writing stepped onto the front stage,bringing refreshing color to the culture in the late Tang Dynasty. 晚唐诗风逐渐没落,小品文走向前台,为唐末文学带来一丝亮色。 3. On one hand,the poets of the late Tang Dynasty absorbed the creation experience of previous writers,on the other hand,they were moved and motivated by times of their own,thus composed a lot of intoning-history poems,which formed a unparalleled climax. 晚唐诗人一方面吸取前人的创作经验,同时受时代感发创作了大量的咏史诗,形成了空前的高潮,不但数量大幅度增加,蔚为大观,而且内容更为广泛,几乎涉及所有重要的古代事件,对当代史事也有所涉及。参考词条晚唐词晚唐文学晚唐时期中晚唐诗晚唐科举晚唐异味晚唐诗歌晚唐诗风晚唐诗六自由度空间运动方程指数复合补充资料：晚唐派晚唐诗派标榜学晚唐诗的近代诗派。领袖人物为樊增祥、易顺鼎。他们着重学习晚唐诗人李商隐、温庭筠、韩□，从韩□“香奁体”入手,好作艳体诗,追求对仗工巧，隶事精切，词采富艳,诗风典赡华靡,工整绵丽。樊增祥自称“性耽绮语”,“学诗自香奁体入”。学诗之初,“积诗千数百首，大半小仓（袁枚）、瓯北（赵翼）体，其余皆香奁体也”。又说“三十以前,颇嗜温、李,下逮西 □，即《疑雨集》、《香草笺》，亦所不薄”（《樊山全集》续集第26卷）。易顺鼎诗以“近于温李者居多”， “以学晚唐者为最佳”。近体诗“惟以裁对鲜新工整为主”，晚年“益纵情于舞榭歌场”，诗“多冶游之作” （陈衍《石遗室诗话》）。属于这一派的主要诗人还有三多、李希圣、曹元忠等。三多，字六桥，又署鹿樵、可园。满人。曾官绥远、奉天都统，杭州、库伦驻防大臣。为樊增祥诗弟子，工于隶事，极似樊。所不同者，诗多边地莽苍之气，善以满蒙方言入诗。有《可园诗钞》。李希圣(1864～1905)，字亦元。湖南湘乡人。光绪十八年(1892)进士，官刑部主事。诗大多为七律，专学李商隐。有《雁影斋诗存》。曹元忠，字君直。江苏吴县人。光绪二十年(1894)举人，曾官内阁中书。诗亦专学李商隐，其工妙不下李希圣诗，有《北游小草》。说明：补充资料仅用于学习参考，请勿用于其它任何用途。
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