1) the middle and late Tang Dynasty
中晚唐诗
2) poetryofmid-TangandlateTangdynasty
中晚唐诗歌
3) Mid-late maturity
中晚熟
4) early-mid-late rice
早中晚稻
5) the middle and late period of Qing Dynasty
清中晚期
6) the middle and late Tang Dynasty
中晚唐
1.
Fishing without Desire: a Random Talk of the Fishing Poetry in the Middle and Late Tang Dynasty;
任运随缘 大钓不钓——中晚唐钓鱼诗词的佛禅意趣
2.
In the middle and late Tang Dynasty,Libu relaxes its restrictions on the the successful candi- dates in the provincial imperial examination to enter Mufu and encourages them to work in Mufu to get some administrative experiences,which leads to a lot of successful candidates pouring into Mufu.
随着中晚唐吏部铨选不断放宽及第举人入幕使府的限制,并鼓励其入幕锻炼从政经验,使得大批及第举人涌入使府。
3.
Through the discussion of the monk poets in the industrious versification pattern in the middle and late Tang Dynasty,the author points out that under the prevalence of industrious versification at that time,the monk poets could catch up in the vogue,accelerate industrious versification and make it into the needs of life,the crea- tive actions of them displays their zeal for poetic creation.
通过对中晚唐苦吟格局中的诗僧的探讨,指出在当时诗坛苦吟之风日盛的情况下,诗僧能融入时流,促进苦吟之风,将苦吟变成一种生命的需要,其创作行为本身就体现出诗僧诗歌创作的热力。
参考词条
补充资料：晚唐诗派
| 晚唐诗派 标榜学晚唐诗的中国近代诗派。代表人樊增祥、易顺鼎。他们着重学习晚唐诗人李商隐、温庭筠，并从韩的香奁体入手，喜好作艳体诗，追求对仗工整，词采富艳，叙事精切，诗风华靡。樊增祥自称“学诗自香奁体入”，积累千百首诗，不少为香奁体。易顺鼎写得最多最好的都是学晚唐的诗。这一派的主要诗人还有三多、李希圣、曹元忠等人。三多是樊增祥诗弟子，其诗多边地莽苍之气，善以满蒙方言入诗，有《可园诗钞》。李、曹二人专学李商隐，李有《雁影斋诗存》，曹有《北游小草》。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。