1) native perspective
本土视角
1.
Zhai Xuewei,in his practice of Chinese social studies,puts forward that it is necessary to seek a native perspective based on the characteristics of traditional Chinese culture,the constructing pattern of the Chinese society and the Chinese thinking habits.
社会学家翟学伟在本土社会研究的实践中,提出应该根据中国传统文化的特点、中国社会的构成方式以及中国人的思维习惯寻找研究中国社会的本土视角。
2) native
本土
1.
Further, Lao She composes the Singaporean fables in a way of fairy tale, subverting the myth of Westerners cultivation of Singapore on the ground of native Chinese.
老舍的小说创造很多时候成为逆写殖民帝国的精彩范例,它可以让殖民者/被殖民者处于中心的同一平台上对话、冲突,从而反击错误再现或刻板印象的暧昧与含混;也以童话的方式撰写了新加坡的预言/寓言,立足本土华人的立场颠覆了诸多西方人开辟新加坡的神话。
2.
In the 21st century,"Min"culture is not only an indispensable native regional cultural resource,but a carrier of Chinese civilization that brings together overseas Chinese and compatriots in Taiwan.
在21世纪,闽文化是不可或缺的本土区域文化资源,也是凝聚海外华人、台湾民众的中华文明载体。
3) local
本土
1.
On Development of Local Retail Business in Xinjiang——Take Large Scale Supermarkets in Urumqi as the example;
对新疆本土零售业发展的思考——以乌鲁木齐市大型超市为例
2.
Analysis of feasibility of strengthening local music education in the primary and middle schools;
中小学强化本土音乐教育的可行性分析
3.
By symbols principles, this paper discusses the application of design symbols in local packaging design and points out that in the process of packaging design it shouldn t be just "to sign for a symbol".
运用符号学原理,探讨设计符号在本土包装设计中的运用,提出在包装设计的过程中不能"为了符号而符号",对于设计符号的运用,必须是在理解本土文化的基础上用现代的观念去改造和提炼,使设计符号在本土包装设计中起到文化传承的作用。
4) Locality
本土
5) Native land
本土
6) "native land"
“本土”
1.
With regard to Li Rui’s concrete creation, his “native land” refers to the course of the modern transition of Chinese literature in the 20th century, in the course of which the experience of a two way suffering became Li Rui’s focus experience of his “native land”.
“本土”是个复杂多变的概念,相对于李锐的具体创作,“本土”是指“20世纪中国文学现代转型”的过程,在这一过程中,一种“双向煎熬”的体验成了李锐关于“本土”的核心体验。
参考词条
补充资料:全知视角
全知视角是在小说创作常用的叙述形式。一般以第三人称为主。
全知视角即叙述者处于全知全能的地位,作品中的人物、故事、场景等无不处于其主宰之下,调度之中。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。