Misery shouldn t become the old ruts of the local literature——Talking about simultaneously the transformation of Yan Lianke s novel creation;

Transformative Bridal Sedan Chair And Transfigured coffin——Tentative inquiry into culture of folk customs in Chinese contemporary local literature in the 1920s;

A sadly beautiful local love song: A comparison of "local literature" between Shen Cong-wen and Mizukami Thutomu;

On the Creative Ideal and the Creative Consciousness of Shen Congwen s Native Literature;

The Chinese literature history in the 20th century is,in a broad sense,a history of native literature and a changing process of native literature in the modern cultural context and the historical setting of saving the nation from extinction.

Contrasted with a marked characteristic about the subject matter,native literature in the 1920s did not have a distinct theme,as to its reasons,the author of this paper believes that most of the literary works are mutually contradictory in many aspects such as how to describe and reflect the rural life and what subject matters should be choosen and so on.

After him British poet Wordsworth and French female writer George Sand produce works of rural literature respectively in the form of poetry and novel that have great influence on the later ages,and thus establish the position of rural literature.

Area coloring is the essential trait of the rural literature:"Earth" is not only realistic material background of the story-going,but also the symbol of our national historic culture.

Rural literature is a important part in China modern literature of 20`s century.

His writing about Chinese is an integral part of his local-color literature.

Lu Xun s views on local literature and writing practice of local novels are the source o.