1) Liu Xie
刘勰
1.
The Value Issue of the Historical Data on the Discrimination of Liu Xie s Life Experience;
刘勰身世之辨的有关史料价值问题
2.
On the Theoretical Structure of Liu Xie′s Cultural Concept and His Cultural Activities——A Study of Liu Xie s Theory and Activities from the Viewpoint of Chinese Culture;
刘勰文论的文化观念结构与人文实践体系——文化视域中的刘勰文论及其实践内涵
3.
Investigation of Liu Xie s Literary Criticism Idea from Wen Xin Diao Long(《文心雕龙》);
从“六义”到“六观”——刘勰《文心雕龙》中的文学批评观
2) LiuXie
刘勰
1.
A Comparative Interpretation of the Linguistic Ontology and Literary Language Views of Both Liuxie and Aristotle;
刘勰与亚里士多德语言本体论及其文学语言观的比较阐释
2.
On the Dialectical Viewpoints of Cultural Heritages in Liuxie s Writing Interpreted in His Two Works;
论刘勰写作文化遗产的辩证观——《正纬》、《辨骚》二篇试解
3) Liu Hsieh
刘勰
1.
Lu Xun once in Forces of Mara s Literature incisively criticized Liu Hsieh s conservative, feudal and utilitarian literary thoughts which have stemmed from his rigid adherence to the Confucianists viewpoint about functions of literature.
迅在《摩罗诗力说》中尖锐批评过刘勰因笃守儒家“诗教”而形成的保守的封建功利主义的文学思想 :在《汉文学史纲要》中尖锐地批评过刘勰神秘主义的文学起源论 ;在《吃教》一文中分析过刘勰“杂拌儿”式的思想体系。
2.
Liu Hsieh s image criticism, related to macrocosm and microcosm, interweaves them into an organic theoretical system.
刘勰的意象批评自上而下,由宏观到微观,密密层层,交织成为一个有机的理论体系。
3.
Liu Hsieh s Wen-Hsin Tiao-Lung was written in the transitional period from the ancient Chinese image theory to "Meaning of the area to reach", and image theory was initially adopted in the fields of literature & art aesthetics in Wen-Hsin Tiao-Lung.
刘勰的《文心雕龙》处于中国古代“意象”说到“意境”说的转变过渡时期 ,且在《文心雕龙》中首次将“意象”运用于文艺美学领域 ,可以说“意象”说是由刘勰真正建立并使其系统化、体系化。
5) Liu Xie's Feng Gu
刘勰《风骨》
6) Liuxie poetics
刘勰诗学观
1.
Liuxie poetics holds a significant position in his entire literary theory.
刘勰诗学观在他的整个文学理论体系中据有重要席位。
补充资料：刘勰
| 刘勰（约 466～约539） 中国南朝齐、梁时期文学理论批评家。字彦和。东莞郡莒县（今山东莒县）人。世居京口（今江苏镇江）。关于他的生卒年，诸家说法不一。少孤、家贫，无力婚娶，曾依靠沙门僧祐居上定林寺10余年。他精研佛理，饱览经籍，于南齐末年写成3.6万字的文学理论名著《文心雕龙》。梁武帝时，历任奉朝请、东宫通事舍人，世称刘舍人。晚年出家，法号慧地。此外，刘勰还有《灭惑论》、《梁建安王造剡山石城寺石像碑》等流传后世。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
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