1) light space perspective shadow map
光源空间透视阴影图
1.
This paper analyzed the characters and classification of shadow,and implemented the static shadow by lightmapping which used the fast tray traced terrain shadow map and pre-bake mesh shadow on terrain and the dynamic shadow by light space perspective shadow map,finally we got satisfactory results.
分析战场环境中阴影的特点,将其分为静态阴影和动态阴影,根据战场环境仿真对阴影效果实时性和真实感的要求,采用改进的快速光线跟踪算法和预烘焙方法生成光照图,分别实现静态阴影中的地形和地物阴影,采用光源空间透视阴影图技术,改善阴影边缘走样,实时渲染真实的动态阴影。
2.
This paper analyzes the characters and classification of shadow, and implements the static shadow by light-mapping which uses the fast tray traced terrain shadow map and pre-bake mesh shadow on terrain and the dynamic shadow by light space perspective shadow map, This paper analyzes the projection parameter’s effect on the edge aliasing, and validates the effect, finally we get pleasing results.
本文首先对三维场景中的阴影进行分类并分析其具体要求,考虑到满足虚拟场景的交互性,针对静态阴影,采用改进的快速光线跟踪算法和预烘焙生成光照图方法分别实现了地形和地物阴影;针对动态阴影,采用光源空间透视阴影图技术进行实时渲染。
2) shadow and perspective
阴影透视
1.
The reform in the teaching on shadow and perspective;
阴影透视课程教学改革初探
2.
Discussing the reform in the teaching on shadow and perspective of industrial design speciality;
工业设计专业阴影透视教学内容改革的探讨
3.
Combining the practice of shadow and perspective teaching reformation in a higher education, the fundamental and designing methods of multimedia component teaching design are discussed to provide basic mode and method for a series of graphics courses to penetrate into innovation.
结合高校阴影透视课的教学改革实践,论述了多媒体组合教学设计的基本原理和设计方法,为图学系列课的深入教改提供了可以借鉴的基本模式与做法。
3) perspective shadow
透视阴影
1.
Drawing perspective shadow on a conical surface is very intricate and difficult.
绘制圆锥画面透视阴影是十分困难和复杂的。
4) perspective projection
透视投影(透视图)
5) perspective space
透视空间
1.
He emphasizes experience and perception of spaces, and develops perspective space based on parallax, criss - crossing and hinged space in his designs.
美国当代著名建筑师斯蒂文·霍尔以其创新性的 手法积极探索空间的多种表现形式,在创作中强调对空 间的体验和感知,发展出了基于“视差”的透视空间、十 字交叉和链合空间。
2.
In 18th century,Manet Edouard and Paul Cezanne brought forward their opinion,which negated the techniques of the composition principle of perspective space since the beginning of renaissance,but to stress their own feelings,that is,to compose a picture from different points of view.
到了18世纪,马奈、塞尚等对此提出了异议,否定了文艺复兴以来的透视空间构成原理的技法,着重表现自己的感受,从不同的视点来构成画面,超越了焦点透视空间。
6) Perstective projection picture
透视投影图
补充资料:透视图
1.根据透视的原理绘制的图,多用于机械工程和建筑工程。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条