1) traditional koji making
传统制曲
2) traditional wheat koji
传统麦曲
1.
Discussion on the innovation of the traditional wheat koji;
浅谈传统麦曲的改革与创新
5) traditional drama
传统戏曲
1.
This paper is to study the transformation of the traditional drama in the early stage of China from the angle of content integration and ideology interpretations and explain the original force of the transformation and the value trend in the development of traditional drama .
本文从内容整合和意识形态阐释的角度出发,研究建国初期旧剧改革对传统戏曲进行改编的过程,阐发旧剧改革的原动力和在传统戏曲发展过程中的价值指归。
6) traditional opera
传统戏曲
1.
Inclusion And Interdependence of Fictitiousness And Actuality——A brief account on the "fictitiousness" aesthetic characteristics of the traditional opera;
含虚蓄实,虚实相生——略论传统戏曲的“虚拟性”审美特征
2.
Chinese traditional opera has experienced several big changes in the 20~(th)century, which deeply reflected west- ern culture s influence and shock towards Chinese traditional culture and Chinese intellectual s criticism, reform, reflection towards traditional opera.
20世纪,中国传统戏曲经历了几次比较大的戏改运动,深刻反映出西方强势文化对中国传统丈化的影响和冲击,以及中国知识分子对于传统戏曲的批判、改造、反思,并由此探求作为传统文化象征的戏曲在中国知识分子心中既敬畏其内蕴深厚、博大精深又不满其故步自封、缺乏创新的复杂情结。
3.
About the social educational functions of the traditional opera,our seniors all gave a positive opinion,but when we examined relevant views carefully,it is limited to principled conclusion,neither did it elaborated the specific content,nor did it touch the operating mechanism of the social educational functions of the traditional opera.
关于传统戏曲的社会教化功能,前人大都给予肯定,不过细察前人与时人的有关论述,却仅限于"药人寿世"、"助成教化"等原则性结论,不仅在具体内容上语焉不详,而且对戏曲社会教化功能发挥的内在机制更是缺乏系统研究。
补充资料：传统公有制
传统的公有制说财产是属于人民的。属于人民的财产是公有的，其实质是指人民财产的集体支配权，即人民财产（公有财产）必须由掌握公共权力的人民代表（代理人）来支配。任何一个作为%26ldquo;人民%26rdquo;一员的公民都没有对公有财产的直接支配权，而只有对人民代表（代理人）的选举权和监督权。由此可见所谓%26ldquo;公有制%26rdquo;实际上是指人民财产的公共权力支配形式，二不是真正的所有或拥有。（陈嘉珉/2007）
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条