1.
The Research of Environment Design Drawing in Foreign Country;
外国环境艺术设计手绘表现发展研究
2.
Basic Framework of Drawing--Probe into Practical Techniques of Hand Drawing Previews;
基础网作图法——效果图手绘表现实技探究
3.
Freehand Water Color Expression in Environment Art Design
环境艺术设计中水彩手绘表现的写意化
4.
On product design drawing sketches in times of computer-predomination
论计算机时代的产品设计手绘表现技法
5.
Shadow and Mirror Image--Expressive and Emblematic Painting Technique;
影子与镜像——表现与象征的绘画手法
6.
Fast Expression of Effect Drawing of Hand-drawn Product Design;
试析手绘产品设计效果图的快速表现
7.
Abstract Description as a Technique in Painting;
试论绘画艺术表现手段中的抽象性描述
8.
The Discussion on Product Design Representation in the Computer Epoch;
在电脑时代谈手绘产品设计表现技法教学
9.
Discussion about the Interactive Mode between" Traditional Realism Painting" and "Modern Expressionism" in Painting Teaching;
绘画教学中“传统写实”和“现代表现”手法的互动模式
10.
These examples show that there were already varied painting styles in the Warring States Period.
这也反映了在战国时期绘画表现手法已经不止一种，
11.
Non-root orchid: Technique and Meaning of ZHENG Sixiao's Molan Picture
泪泉和墨绘奇兰——浅谈郑思肖《墨兰图》表现手法及其意义
12.
Different Forms of Chinese and Western Paintings
中国绘画与西方绘画不同空间的表现
13.
represent in profile, by drawing or painting.
用剖面表现，用于绘画。
14.
Lin Fengmian used simple painting techniques but managed to convey rich content, using as little ink as possible.
林风眠努力使表现手法和绘画样式更加单纯、简洁，用较少的笔墨，表达更丰富的内涵。
15.
Explaining the Painting s Abstract and Expression from the Chinese and the Western Paintings;
从中西方绘画中解读绘画的抽象性和表现性
16.
“Three Fars”is the unique technique of Chinese painting in expressing space time. It is essentially different from the Focus Perspective Theory of western painting.
“三远”是中国画表现时空的独特手法,它与西方绘画的焦点透视理论有本质的差别;
17.
The painter mostly adopted realistic painting methods, but also used some folk and traditional Chinese painting techniques.
画家在进行严谨的写实描绘中，借鉴了民间美术和传统工笔重彩的表现手法。
18.
Represented, as in graphic art or sculpture; depicted.
表现的，描绘的用图形艺术或雕塑等表现的；描绘的