1.
Art s autonomy and Study s Selfenclosure___Thoughts on Study of Calligraphy History;
艺术的自律和研究的自蔽——关于书法史研究的思考
2.
That is to say, he opposed artistic autonomy and abstraction, and started the advancement of figuration vs abstraction.
也就是说,他反对艺术的自律和抽象化,并开始了以具象的形式对抗抽象的形式的进程。
3.
Talking about the Law That Design Art Creation Should be Followed According to Marx s Theory of "Nature s Personalization";
从马克思的“自然的人化”的观点谈设计艺术创作中所应遵循的规律
4.
Kantian Aesthetics: Heteronomy and Autonomy;
康德的幽灵:他律/自主——西方艺术存在论现代转向的可能与限度
5.
On Self-Discipline of Literary Art;
文学艺术自律——西方唯美主义批评的一个诗学主题
6.
Self-discipline of Literature and Art--A Poetic Theme of Western Preromanticism and Romanticism Criticism;
文学艺术自律——西方前浪漫主义、浪漫主义批评的一个诗学主题
7.
The Relation Between the Body-Mind and the Artistic Nature of Calligraphy--The Rhythmization of the Visional Art;
身心与书法艺术本质之关系——视觉艺术的韵律化
8.
comparison between nature and art
自然与艺术之间的比较
9.
A student of the liberal arts.
学习自由主义艺术的人
10.
an inspired work of art
得自灵感的艺术作品
11.
Wu Huan-zhang shows his concern on the aesthetics of fine prose.
而在后来的各种学术文章中，他更是自觉地探求散文艺术的特殊规律。
12.
From academic self-discipline:an understanding of essence in academic freedom;
学术自律:学术自由本质的一种解读
13.
On the Cultural and Artistic Characteristics of Leading Melody TV Entertaiment Evening Party;
论“主旋律电视文艺晚会”的文化特性与艺术特征
14.
Moral Self-discipline and Legal Discipline in the Study and Application of Biological Technology;
生物技术研究和运用中的自律与他律
15.
Enlightenment to Modern Art from Marx s Laws of Beauty;
马克思“美的规律”论对现代艺术的启示
16.
Nature,ego,freedom--The three symbolic dimensions of art;
自然·自我·自由——艺术的三个象征维度
17.
The Relation of Line s Rhythm and Environment in Architecture;
论建筑艺术中线条韵律与环境的关系
18.
On the Legal Protection of Works of Folk Literature and Art in Our Country;
论我国民间文学艺术作品的法律保护