1.
Zhuang nationality people are famous for their skills in singing and dancing and are good at expressing their feelings with singing, fairy singer Liu Sanjie is their representative of folk song culture.
壮族人民素以能歌善舞著称，善于以歌来抒发思想感情，“歌仙”刘三姐便是他们山歌文化的代表。
2.
Space:A Powerful Aspect to Interpret Liu Sanjie s Folk-Song Culture--Discussion on the Deep Exact Details of Liu Sanjie s Folk-song Culture;
空间:一个解读刘三姐山歌文化的有力维度——刘三姐山歌文化深层底蕴的探讨之一
3.
The Connotation and Modern Aesthetic Value of Black-Clothes Zhuang s Folk-Song Culture;
黑衣壮山歌文化的内涵与现代审美价值
4.
Identity,Space and Identification--Discussion on the deep implications of Liu Sanjie’s folk-song culture;
身份、空间与认同——刘三姐山歌文化深层底蕴的探讨之三
5.
The Heritage of Xinguo Folk Song from Hakka Folk Music Culture;
论兴国山歌《打支山歌过横排》与赣南客家山歌音乐文化之传承
6.
North-South Difference in Culture of Song and Poem as Seen from Jianjia and Shangui;
从《蒹葭》与《山鬼》看北南歌诗文化之不同
7.
The meaning of anima of Taishan mountain and the complex of Taishan mountain of poetry in Han Tang;
泰山文化的生命内涵与汉唐诗歌的泰山情结
8.
On the Cultural Significance of Traditional Music of Hakkas Folk Songs s "Language and Voice" --A Case Study of Tonggu Hokkas Folk Song;
论客家山歌“唱与腔”的传统音乐文化意义——以铜鼓客家山歌为例
9.
The folk songs of three ethnic nationalities all reflect respective national culture characteristic.
三个民族的山歌都反映出各自民族的文化特色。
10.
The Feminine Consciousness of Hakka folk songs in Gannan Area;
赣南客家山歌女性意识的历史文化渊源
11.
To see 《Jiuge·Shangui》 frorm the conlept on the soul end-result of the Dongyi′s culture;
从东夷文化的鬼魂归宿观念看《九歌·山鬼》
12.
The Historical Development and Cultural Implications of Shibaoshan Singing Gathering in Jianchuan County
剑川石宝山歌会的历史变迁及文化内涵
13.
Keeping watch on spiritual homeland : from culture return to the poetry revival --The current Daliang Mountain Poems in the sight of cultural poetics
守望家园:从文化复归到诗歌复兴——文化诗学视阈里的当代大凉山诗歌
14.
The Tang Poetry and the Architectonic Civilization of the City of Chang’an in the Tang Dynasty in Terms of an Interpretation of the Imagery “from the North Palace to the South Mountains”;
唐代诗歌与长安城建筑文化——以“北阙—南山”的意象解读为中心
15.
Culture Performing in Country Society:Yangko Opera and Country Society in Shanxi in the Late Qing and the Early Years of the Republic of China
文化展演中的乡村社会——清末民初山西秧歌小戏与乡村社会生活
16.
Abstract: Pastoral songs in Hunan are the songs sung by shepherd boys while herding cattle.
文摘:湖南牧牛山歌(下简称湖南牧歌)湖南牧童牧牛时唱的歌曲。
17.
Zhuang National Minority Liao Song Dike Culture and Esthetic Connotation Research;
壮族嘹歌歌圩文化及其审美内涵研究
18.
Composition Principles for Oral Literature--A Case Study of "Borrowing Strategy";
口传文学的编创律则——以“调山歌”为例